By Leslie Camhi
August 29, 2012

Far from the frenzied hype of most art-world capitals, contemporary art’s utopian aspirations come to rest 25 miles north of Copenhagen. There, the Louisiana Museum of Modern Art strikes that rarest of balances between landscape, architecture, and art. In 1958, visionary Danish manufacturer Knud W. Jensen transformed a 19th-century villa on the Øresund strait into a Modernist oasis, adding low-slung glass pavilions and a surrounding sculpture park (the name is derived from the previous owner’s three successive wives, all called Louise). Today, despite numerous expansions, visitors still arrive through the villa’s modest entrance hall, as if coming to see an eccentric, slightly stodgy country uncle. But the latest in video art and photography await, alongside masterpieces by Alberto Giacometti, Henry Moore, and Alexander Calder, in dialogue with spectacular light and views, the wind, and the sounds of the sea.