Moscow Travel Guide
The gallery aims to introduce Russians to photography as fine art. Its first show was a provocative narrative series by Ellen von Unwerth.
Denis Simachev, a petit, flamboyant dresser with long dark hair and a droopy mustache, recently opened his first flagship—a large building swaddled, like a teapot in its cozy, in Russia's beloved country-folk hohkolovo pattern—on _Stoleshnikov Lane, the main shopping drag.
Not to be confused with the Tretyakov Gallery, the more interesting New Tretyakov is in the same building as the Central House of Artists. On the top floor is Moscow's must-see collection of early- 20th-century art—Malevich, Goncharova, Mashkov, Lentulov, Chagall, and more.
Another world-class boutique for avant-garde fashion imported from Japan, New Zealand, and Europe. Find designs by United Bamboo, Nicholas K, and Belgium's Natan Collection and A. F. Vandevorst.
Igor Markin's Art 4 is the first private museum to open here in 100 years and showcases his personal collection of Russian art from the past four decades: Totalitarian-stamped vistas by 70's Pop art practitioner Eric Bulatov; cocktails of brutality and buffoonery by 80's painter Konstantin Zvezdo
Here, slim-thighed trophy wives named Ksusha browse an exquisite selection of $1,000 dresses in sizes two and four.
At Moscow's Museum of Contemporary History, visitors follow the story of Russia from the end of Romanov rule through present times; it also contains an extraordinary Soviet-era porcelain collection, personal items from Lenin, Stalin, and Brezhnev, re-created Soviet apartments, and entire rooms fu
Sandunovskiye Baths, renovated in 2006, is the city's most famous bathhouse, which offers ornate halls for steaming, plunging into cold pools, being massaged with coffee grounds and honey, and sipping tea.
The bookstore has a sleek, aggressively modern interior and the slogan "Books, music, perspective." On sale are gorgeous editions of everything from Nabokov classics to tomes on Soviet architecture; a huge library of music; high-end correspondence; and a smattering of international design objects