Brussels Travel Guide
An ormolu-mounted fruit-wood desk and a bench of thick rubber molded to resemble giant blocks of chocolate front a huge painting of African dancers.
Take a break from antiques-hunting with a stop by this chococalatier in Place du Grand Sablon.
One of the few active breweries remaining in Brussels is the family-run Cantillon Brewery, built in 1900 in an old warehouse and famous for its acidic lambic brews (in March and November they invite the public to participate in the process, which may include adding hops or cleaning the 19th-centu
To go antiquing in Brussels is to bask in civility and ease. Stay hard by the Gothic, gilded Grand Place - a square called on of the most beautiful in the world by no less than Victor Hugo.
Rue Haute, like parallel Rue Blaes, traverses the Marolles district; both are dotted with antiquaries that grow more affordable the farther you travel away from the Place du Grand Sablon.
At the Desmet antiques gallery, nearly everything is of majestic scale and almost nothing is Belgian. Sarcophagus-like stone tubs come from France, boldly framed mirrors from the Netherlands and Italy, a pair of Georgian gateleg tables from Britain.
Vincent Colet is a shop that appreciates the industrial, as in the Triplex Pendlar lamp, by Swedish inventor-designer Johan Petter provenance.
This shop has closed.
In Brussels’s main square, 10 master Belgian chocolate makers are showcased at this boutique, where they host daily workshops to teach the secret ingredients of their country’s rich dark and white cocoa.
This year-old cooking school–cum–bookshop also sells esoteric ingredients like Orleans vinegar.
Though they aim to emulate Axel Vervoordt, this design store is a more affordable and polite version of eclectic Belgian style.
These dealers in African art and relics as well as the adjacent Congo Basin Art History Research Center can be found on a charming lane off the Place du Grand Sablon.
Established in 1839, this antiques store is one of the few still holding on to its spot on the Place du Grand Sablon. Its salons are filled with 18th-century furniture and objets - and sometimes with audiences for Baroque concerts - but the courtyard is what sets Costermans apart.