In Kati Marton’s candid memoir, Paris: A Love Story (Simon & Schuster), the journalist and widow of American diplomat Richard Holbrooke looks to the city for inspiration.
Q: Why did you base the book in Paris?
A: I discovered a box of letters I had written to my father when I was a young woman living there. I wanted to find that girl again, so avid for beauty and life. Richard and I spent a lot of time in Paris; it was neutral, away from Washington, D.C., and New York.
Q: You return for Christmas every year to visit your sister. Where do you stay?
A: I still have a little apartment that I love on the Rue des Écoles in the Fifth. The area hasn’t changed; it has the same bookstores and bistros.
Q: What are a few of your favorite haunts?
A: I love the Hammam de la Mosquée (39 Rue Geoffroy St.-Hilaire, Fifth Arr.), a real Turkish spa and bath. There are a few cafés I visit regularly, like Café Rostand (6 Place Edmond Rostand, Sixth Arr.; 33-1/43-54-61-58) and La Palette (43 Rue de Seine, Sixth Arr.). And, with the way the French arrange shop windows and food displays, Rue Bonaparte is still a feast for the eyes.
Photo courtesy of Kati Marton
For most, a cross-country road trip with Mother would end in tears or bloodshed (or both). But for screenwriter Dan Fogelman (Crazy, Stupid, Love; Cars), one he took inspired this month’s The Guilt Trip, starring Seth Rogen and Barbra Streisand. Here, Fogelman reveals a few parent-approved pit stops.
Q: What were some highlights from the road?
A: We drove to Memphis to see Graceland—you have to do that. I tried to stay on Route 66 to go through small towns; it’s like stepping into the 1950’s.
At last month’s PhoCusWright Conference, the travel tech industry’s much-anticipated annual event, some of the most exciting, buzz-worthy attendees were the wunderkinds behind travel start-ups and high-profile online products. Travel + Leisure sat down with select Millennial entrepreneurs—or maybe a better moniker is disruptors?—shaping the next generation of Travel:
Ruzwana Bashir, the British-born 29-year-old co-founder of Peek.com, is part of the exclusive club of PhoCusWright “Young Leaders.” In October of this year, she launched a new website that provides an attractive, centralized place to book vacation activities. It also highlights “Perfect Day” itineraries supplied by travel insiders, luminaries, and in-the-know locals.
The Brazilian director is best known for his visually arresting films, such as 2002’s City of God, set in a Rio de Janeiro favela. His newest, 360, with Jude Law and Rachel Weisz, goes global. Shot in five different countries, it touches on the Arab Spring, euro crisis, and prostitution.
Q: You were filming on the road for almost 20 weeks. Any favorite hotels?
A: We were in London for three months, so I rented an apartment. But I like Hazlitt’s Hotel ($$$). You get a key to the front door, and it’s like your own home. In Vienna, we stayed at the 25hours Hotel Wien (1-3 Lerchenfelder Str.; $). There are bicycles for guests, and the staff doesn’t wear uniforms. After a week or two, we were hanging out with the hotel crew.
Members of the band, from left: Ed Droste, Chris Bear, Chris Taylor and Daniel Rossen
Ed Droste—front man of the Brooklyn-based indie-rock band Grizzly Bear, whose long-awaited fourth album Shields comes out on September 18—reflects on some of his favorite destinations and findings from around the world.
Q: It’s been three years since the band’s last album, what can we expect from Shields?
A: It’s charged, and sort of raw, energetic and exposed. I started out work shopping ideas in Todos Santos, Mexico with our drummer Chris Bear. We often go on little writing retreats together. We went there for a month and wrote ten songs, then the whole band reconvened in Marfa, Texas for a month to start recording.
The former queen of mumblecore movies, Greta Gerwig, is now starring in such high-profile projects as Woody Allen’s To Rome with Love (out now). Here, her thoughts on truffles, art, and other Italian greats.
Q: Where did you stay while filming?
A: The cast stayed at the Parco dei Principi ($$$),near the far side of Villa Borghese. It was very fancy, but old-school, like seventies-style, which makes sense given Woody Allen. It was definitely built when you wanted to use as much chrome as you could get.
André Hermann, a 38-year-old photography instructor at San Francisco’s Academy of Art University, has a rather interesting pastime: After creating 20 photography booklets filled with street images taken from his iPhone, he hides them all over the city, posting a clue to his blog each time. Why? To get people outside, of course, and to have them experience something new in their own home turf. With over 100,000 followers on Instagram and a huge fan base that covers several continents, the project has evolved into something much bigger, something that Hermann plans on expanding. We sat down to talk with him about how this project came about and where he sees it going in the future.
Q: So did you do this project to get to know the city more?
A: I actually know San Francisco really well. I made it my mission to walk all around. It’s finding the pulse of the city, finding its beat. You connect to it as a photographer and you find places that are overlooked, places that are new and or that you knew of already and had passed it, without ever exploring it. It’s street photography. I like watching people and look for things that catch my eye: similarities, contrast, contradictions. Thing like these moments that are overlooked because we’re too busy with our noses buried in our phones.
In honor of Regent Seven Seas Cruises' 20th birthday, T+L Cruise Editor Jane Wooldridge spoke with Mark Conroy, the President of Regent Seven Seas Cruises with 38 years in the industry.
Q: What was your first cruise-related job?
A: While attending the University of Miami in 1973, I worked weekends on the pier at NCL. We delivered and picked up the ships’ mail, assisted guests going through customs, ran errands, and sold baggage insurance. I also worked part time in the mail room.
Mostly Mozart, the 46-year-old summer festival at New York City’s Lincoln Center for the Performing Arts, is in full swing and more vibrant than ever. Significantly, this year’s edition marks the tenth anniversary season of French conductor Louis Langrée as music director who, along with Jane Moss, artistic director, has been responsible for revitalizing Mostly Mozart, in particular, its heartbeat, the festival orchestra. He's credited with raising its playing standards and adding inventive programming that features soloists, both established and debut artists, period instrument bands, and contemporary music ensembles.
Year to year, the mix may include dance, sound installations, film, video. This year, Mostly Mozart takes up the theme of birds, “the originators of song and an inspiration for countless composers,” according to Moss, as a point of departure for a range of programming. Indeed, in the age of twitter, birdsong may never sound as pure. T+L spoke with Louis Langrée earlier in the season during a stopover in New York en route to Paris about Mostly Mozart, a conductor’s role, American audiences, and why the festival remains popular with travelers and New Yorkers alike.
Q: What are your thoughts on your 10th anniversary?
Svelteness, style, and sex appeal: why do the French so effortlessly possess these qualities, and why can’t America get on board? Harriet Welty Rochefort knows the tricks of the French trade. A native Iowan who moved to Paris after college and married a Frenchmen, Rochefort is the author of French Fried: The Culinary Capers of an American in Paris, French Toast: An American in Paris Celebrates the Maddening Mysteries of the French, and the soon to be released Joie de Vivre: Secrets of Wining, Dining, and Romancing Like the French (St. Martin's Press, October 2012, $24.99).
She spoke with Travel + Leisure about not being an Ugly American, the best way to exercise in Paris, and why being a little “off” in considered sexy in Pah-ree.
Q: What advice do you give people traveling to Paris?
A: There’s three things. One, you should hang out in cafés as long as you can. Two, don't be loud, whether you’re on the street or in a restaurant. And three, get out of the Left Bank rut and try the 10th arrondissement (Canal St. Martin) or the 11th where all the savvy chefs have emigrated.