For his new documentary, Life in a Day, director Kevin Macdonald (The Last King of Scotland) teamed up with YouTube users to create a crowd-sourced 90-minute snapshot of 24 hours around the world. T+L checks in.
Q: Why did you make the film? A: To look at the nuanced details of people’s existences in different places. Instead of the Pyramids, you see a graveyard in Cairo, where people actually live.
Q: Did any of the videos make you want to travel? A: There’s footage from Angola of women singing as they grind corn. I would go just to hear that music.
Over the years, I’ve found one of the best ways to know a city’s best-kept secrets is to talk to its artists. I recently connected with one of Montreal’s rising stars—award-winning filmmaker and musician Daniel Isaiah, who's signed, appropriately, with music label Secret City Records.
Well, that’s one way to cure boredom! Stuck, the viral short film sensation created by Joe Ayala and Larry Chen, depicts the twosome’s epic adventures during an overnight layover in the Dallas/Fort Worth International Airport, including but not limited to wheelchair races, sneaking in a beer at a deserted bar, and a wet paper towel fight in the bathroom. Chen and Ayala, who are professional automotive photographers, released the video last month, prompting questions about the apparent lack of security in the terminal.
In between blockbusters at the drive-in this summer, catch up with these two insightful journey documentaries. Airing on mun2 and iTunes digital download,Harlistas: An American Journey profiles Latino Harley Davidson motorcyclists as they take their hogs to the highway.
It's not often a film evokes the spirit of a city the way John Turturro's Passione captures the musical exuberance that pulses through Naples, Italy. We're not talking opera, but a blend of genres that reflects the cultures of the city's invaders as well as its more recent immigrants. Greeks and Spaniards, Arabs and Americans, Turks and French—their songs and melodies have thrived, mixed, and married in a cultural petri dish warmed by the southern Italian sun. And that, in a nutshell, is the whole point of the movie.
Late last night, while browsing through my Google Reader instead of sleeping, I happened on this short, breathtaking video on one of my favorite travel blogs, Prêt à Voyager.
Le Flâneur is the creation of American University of Paris student Luke Shepard, who made this video by stitching together a series of still photographs to create a dreamy stop-motion-like view of Paris. It makes me want to board a CDG-bound plane right now.
Lyndsey Matthews is an online editorial assistant at Travel + Leisure.
Last night at the Paris Theater in New York City, Travel + Leisure’s editor-in-chief, Nancy Novogrod, introduced director Jason Reitman and his new movie, Up in the Air, starring George Clooney. The creator of some of the smartest films in recent years—Juno (2007) and Thank You for Smoking (2005)—gave special thanks to his father seated in the audience, Hollywood film producer-director Ivan Reitman, before the lights went down.
Based on the 2001 novel by Walter Kirn, one of the T+L’s contributing editors, Up in the Air is a film for travelers—and for the times. George Clooney plays Ryan Bingham, an Omaha-based axe-man for hire who spends 322+ days a year on the road doing the bidding of distressed companies, racking up frequent flier miles, and relishing his untethered life. “Make no mistake, moving is living,” he atones.
Where did author Jack Kerouac go to escape the legend that came with his life "on the road?" Big Sur. He holed up in a cabin along this vast stretch of California coast for over a month in 1960, desperate to find some inner peace while struggling with fame and alcohol addiction. He chronicled the experience in his novel Big Sur, one of his lesser known autobiographical works that now—40 years after Kerouac passed away on October 21, 1969—is coming to life in a new documentary film.
The first documentary from King of New York director Abel Ferrara takes the Chelsea Hotel, that Manhattan landmark (and not in a T+L 500 way), as a subject. Since 1905, the place has been a haven for artists (Andy Warhol, R. Crumb), writers (Arthur Miller, Tennessee Williams), and musicians (Janis Joplin, Bob Dylan), not to mention a fair share of drug addicts and prostitutes.
But as Bob would say, the times, they are a-changin’—two years ago, new management ousted owner Stanley Bard and several long-term residents in effort to clean up and bring in a different type of clientele, or, as Ferrara puts it in the movie, to turn the hotel “into a more expensive version of itself.”
A Moulin Rouge dancer starts to see the city around him in a new light while awaiting a heart transplant that might take his life. It’s a rather glum premise, but hey, it’s Paris—that is, the hit French film from L’Auberge Espagnoldirector Cédric Klapisch, now playing in New York and L.A. with a national rollout starting this Friday—and those sweeping streetscape shots are as melancholy as they are alluring. I asked Klapisch, a born-and-raised Parisian, for his tips on experiencing the City of Lights.