Look for a new cruise ship with a dozen outdoor eateries from Norwegian Cruise Line, a chic new chef’s table concept on Princess Cruises’ next ship and a return of wheelers on U.S. rivers. Those nuggets were among news revealed at last week’s Cruise Shipping Miami, an annual cruise industry trade show held each year in March.
But the topic that drew the most attention in this year following the Costa Concordia tragedy and other incidents was safety at sea. Cruise company executives focused on safety during their annual “State of the Industry’’ presentation. Lines showed off the newest simulators used to train shipboard staff for potential emergencies; seminars focused on medical care at sea. At the week’s end the U.S. Coast Guard announced its review of each ship’s safety procedures will now include observing a passenger safety drill now that cruise ships have changed their own rules to require safety drills before a ship leaves port.
It’s pop-up galore these days, but this one caught our eye: From Apr. 4–17, British Airways will host FlightBA2012 in Shoreditch. The event is a culmination of last year’s airline-sponsored search to find three “Great Britons,” rising stars from different creative fields. Their mentors? Celeb chef Heston Blumenthal, YBA Tracey Emin, and actor/writer/director Richard E. Grant.
Save a few euros on some of Europe’s best cultural offerings.
Berlin: The city (pictured above) celebrates its 775th anniversary this year with many free events: a history-themed festival transforms the Nikolai area into a medieval quarter; an open-air exhibition highlights the diversity of Berlin’s residents, past and present.
Vienna: Queue up at the Imperial Palace’s Hofburg Chapel Sunday mornings to hear the Vienna Boys’ Choir(standing room free). And in April, May, June, and September, the Vienna State Opera screens live performances on a giant LED screen in the opera house square.
Portugal: On the agenda for Guimarães, a UNESCO World Heritage site and one of this year’s European Capitals of Culture: performances from avant-garde theater troupe La Fura dels Baus, free to the public.
As a Kabuki-dressed opera singer was convoyed atop a platform through the crowd wailing in an ear-piercing pitch, a packed Hammerstein Ballroom wrestled in anticipation. The mezzo-soprano’s Italian lyrics serenaded the audience over an original Stephan Moore composition before slipping into a familiar tune.
In my mind, in my head, this is where we all came from The dreams we had, the love we shared, this is what we’re waiting for
If you live outside the Sun Belt, chances are you’re ready for spring—for warmth, more daylight, and let’s face it, a little color thank you. If you live in the Northeast, there’s a fix on the horizon: The Philadelphia International Flower Show, which opens at the city’s convention center this Sunday, March 4, and runs through March 11, 2012. And this year’s theme—Hawaii: Islands of Aloha—is a sure tonic for the winter-weary craving a dose of the tropics.
It might come as a surprise to some that the first exhibition devoted to an appraisal of the career of Jean Paul Gaultier should take place in Dallas, but Dallas is a stylish town (the headquarters of Neiman Marcus) and one of only two U.S. venues for The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.
The show, which just opened at the Dallas Museum of Art (through February 12; dma.org), presents 35 years of chic from the enfant terrible of Paris couture in an innovative—sometimes startling—display that includes 30 mannequins with animated faces and voices, including Gaultier himself, provided by audio-visual projection. Fashion comes alive!
Last June, American contemporary-classical composer Nico Muhly, who is barely 30, electrified London audiences with the world premiere of his genre-busting opera Two Boys. That work, a disturbing detective story set in a world of sinister Internet chat rooms, comes to the Metropolitan Opera in 2013. But New York City is getting a chance to sample Muhly’s iconoclastic gifts, with his equally unconventional second opera, Dark Sisters, which currently has its premiere production by the Gotham Chamber Opera (through November 19). Dark Sisters moves next summer to the Opera Company of Philadelphia (June 8-18).
The new piece, which has a libretto by playwright Stephen Karam, follows one woman’s desperate attempts to escape from a polygamist Mormon sect. Fifty Nine Productions, the lighting and projections team responsible for integrating dramatic moving images into the Two Boys staging, creates images that range from stark landscapes of the American southwest to the re-creation of a sensational television news show, studio and telecast feed, side-by-side.
Recently, ukelele crossover star Jake Shimabukuro showed T+L around his hometown of Honolulu. Now, he lands on our turf to perform tracks from his latest album “Peace Love Ukelele” this Tuesday, November 15 at the Highline Ballroom in New York City. 212/414-5994. Don't miss his sweet rendition of Queen's "Bohemian Rhapsody."
As the Dead Sea vies for a spot as one of the New7Wonders of Nature, the biggest archeological discovery it yielded has settled into a temporary new home. Dead Sea Scrolls: Life and Faith in Biblical Times premiered at New York’s Discovery Times Square on October 28—the same venue that has housed other historic exhibitions like Titanic and King Tut. It marks the most comprehensive collection of ancient artifacts from Israel ever organized in North America, including the oldest known copies of the Hebrew Bible and a scale recreation of part of the Western Wall. With a video feed broadcasting activity at Jerusalem’s iconic Temple Mount, it’s perhaps the closest experience to the religious pilgrimage as one can make without making the 5700+ mile journey.
At London’s Victoria & Albert Museum, “Postmodernism: Style and Subversion 1970–1990” is a romp through two decades of excess and provocation—and the final installment in a series of seminal blockbuster shows that have included Art Deco, surrealism, and Modernism. The exhibition, curated by Glen Adamson and Jane Pavitt, is the first to cover the postmodern period in depth, tracing the movement’s origins as an architectural style to its influence on pop culture in art, film, graphics, fashion, and music. Expect to see bold colors and patterns, with ample servings of parody and irony. Among the 250 objects on display are the drawings for Philip Johnson’s AT&T building (1984) in New York City; a re-creation of Jenny Holzer’s illuminated billboard Protect Me from What I Want (1983–85); and stage costumes for Annie Lennox, Devo, and David Byrne (his big suit from the 1984 documentary Stop Making Sense). Exhibition surprise: a video room playing New Order’s 1986 single “Bizarre Love Triangle,” the epitome of the aesthetic overload of the eighties—and postmodernism (through Jan. 15, 2012).