The two-week festival, which brought in $20 million, and more than 100,000 visitors last year, has a diverse program of concerts, dance performances, plays, art installations and culinary tours this year, taking place at more than two dozen venues around the city. Eighty percent of the festival events are free.
At last count, there were 189 international art fairs, enough to keep the affluent and avant-garde in champagne and envy 365 days a year. But on the heels of Documenta and at the apex of the spring fairathon that started with Frieze NY back in early May, Swiss mothership Art Basel—which had its 43rd outing last week—is still the biggest, the brightest, the only fair the art crowd literally can’t afford to miss: last year, Gagosian sold $45 million-worth in the first 45 minutesalone, and, at last Wednesday's VIP preview, someone with a good eye and an even better balance-sheet snagged a Gerhard Richter for north of $20 million—a price-point generally reserved for auction houses.
That's because Art Basel is special: where its Miami Beach iteration has a “Woodstock for the Wealthy” vibe and Documenta is cloaked in anti-commercial intellectualism, Basel distinguishes itself as a serious forum for the exchange of ideas and cash. Which is why, over the weekend, 65,000 art-lovers rendez-vous'ed on the banks of the Rhine.
There may be few places as exciting as London this summer. First, there is that small, international sports event known as the Olympics, starting in late July. Second, the London 2012 Festival, an olympiad of arts and culture of unprecedented scale—more than 25,000 artists from all 204 competing Olympic nations participating in 12,000 events and performances throughout the UK—spans the period June 21 to September 9 and involves the widest range of music, theater, dance, art, film, and then some.
After the Battle of Fort McHenry in Baltimore Harbor during the War of 1812, Francis Scott Key was so moved by the American victory over the British that he rewrote the words to a hearty English drinking song and came up with "The Star-Spangled Banner" to honor the fact that Americans thenceforth would have the guaranteed right to sing "The Star-Spangled Banner" as if they had been drinking heartily (see videos, below).
Baltimore itself is commemorating the War of 1812 bicentennial in a big way, well beyond a mere salute to the National Anthem, with the Star-Spangled Sailabration, a week's worth of free patriotic events, June 13-19. Among the activities: An international flotilla of more than two dozen warships and tall ships; a Blue Angels air show; fireworks recalling the Fort McHenry battle; an aircraft display (and a chance to get the autographs of the Blue Angels pilots); and a newly written patriotic symphony at the Meyerhoff Symphony Hall.
If the Alan Lomax collection had a time travel section, that’s where you’d find the 78 Project. Rather than just observing and preserving present-day culture, the project combines technology and traditions from the past with modern musicians—an active exploration of antiquity that’s more mad scientist than history professor.
Filmmaker Alex Steyermark and Lavinia Jones Wright (with the support of executive producer Erik Nelson) created the project, and serve as its field recording team, but the PRESTO recorder—a later model of the device that Lomax used for his Library of Congress recordings in the ‘30s—is the one who’s really in charge.
This week and through May 12, six North American orchestras arrive in New York to participate in Spring for Music at Carnegie Hall, a festival that celebrates the individuality of musical enterprise, from Alabama to Edmonton, Houston to Milwaukee, and inventiveness and adventurousness in programming. Audiences get the chance to hear these orchestras, some in Carnegie debuts, at which new music or music, familiar or rare, in new contexts is key. And the price of these musical adventures: $25 for all seats, regardless of the location in the hall—front row to top balcony. Carnegie’s celebrated acoustics ensure every ensemble will be heard at its best.
Can't get a reservation at Noma until 2020? This summer, you have two other ways to work up an appetite for chef Rene Redzepi's wildly inventive New Nordic cooking, which just topped the Restaurant magazine's World's 50 Best Restaurants list for a third consecutive year. On July 1-2, the second annual MAD Symposium (Copenhagen, $350) addresses "Appetite" as its theme; along with Redzepi, expect tasteful thinking from other culinary wild men like Wylie Dufresne, Fergus Henderson and Ferran Adria. Then Redzepi moves his team to London for "A Taste of Noma" pop-up at Claridge's Hotel in Mayfair. (Five courses, $320, July 28-Aug. 6). To pre-register for reservations, click here now. First come, first serve!
Shane Mitchell is Travel + Leisure's special correspondent.
If you are trying to decide between a trip to New York City or a trip to Beijing—or Chiang Mai, or even Oahu for that matter—you may not have to choose. Next week in NYC marks the third annual LUCKYRICE Festival (May 1-5), a delirious celebration of Asian food and culture featuring top chefs, mixologists, and influencers. The list of names is a who’s who of Asian cuisine: Top Chef master Susur Lee, Michelin-starred curry guru David Thompson, Hawaiian regional cuisine pioneer Alan Wong, and more.
Attention nature lovers, the outdoor-obsessed, and fresh air freaks: This weekend marks the kick-off of National Park Week (Apr. 21-29), the one week a year (actually, it's nine days) when all of our nation's 397 parks open their gates to the public and admission is free. Yes, free! How will you explore 84 million pristine acres?