November 21 through 25, a.k.a. Thankgsiving Weekend 2012, is a good time to be in Latin America. It's warm, your weird aunt probably won't be there, and you don't have to eat bone-dry turkey leftovers for days. It is also when Festival 4+1 takes place.
One of the most highly anticipated events of the New York cultural season—The Tempest by British composer Thomas Adès—blows onto the stage of the Metropolitan Opera this week. The work, based on the Shakespeare play about betrayal, retribution, and the redeeming power of love, had its premiere in 2004 at London’s Royal Opera House and garnered for the 32-year-old Adès critical acclaim and popular success. Since then, the contemporary work has made a strong bid for a place in the operatic repertoire, and after productions in Germany and the American premiere by the Santa Fe Opera, The Tempest arrives in New York, in a staging by Robert Lepage.
Calling all (fashion-loving) cinaphiles: the most iconic outfits in film history are on display at The V&A’s autumn exhibition, “Hollywood Costume” (October 20, 2012 to January 27, 2013). Exploring the central role costume design plays in storytelling, the retrospective brings together clothes worn by unforgettable characters, from Indiana Jones and Jack Sparrow to Scarlett O’Hara and Holly Golightly.
Photo by 20th Century Fox / Paramount / The Kobal Collection
When American Ballet Theatre revives this week at New York City Center its production of Rodeo, it celebrates the 70th anniversary of a milestone: the first truly American ballet, with an evocative score by Aaron Copland, painterly sets by Oliver Smith, and the groundbreaking choreography of Agnes de Mille. De Mille’s dance combined classical ballet with Broadway and popular styles, including square dance, pantomime (cowboys ride imaginary horses and rope cattle), and an exuberant tap dance solo.
Tap dance in ballet? In this Western love story, where a cowgirl falls in love with a champion roper who dazzles with a tap tour de force—de Mille’s novel use of tap dance was and remains a showstopper. And in a lead up to the ABT’s performances of the landmark Rodeo, ABT dancers, including Craig Salstein, who performs the role of the champion roper, gave tap dance lessons to 100 New York City public school children at South Street Seaport.
In London this weekend? Don't miss the 10th annual Frieze Art Fair (Oct. 11 - 14), in Regent’s Park. With 170 participating contemporary art galleries from 34 countries (not to mention the splashy May launch of a sister fair in New York), this is its most international year yet. One major highlight: the inaugural Frieze Masters, a sort of fair-within-a-fair exhibiting works that date back to ancient times—an unprecedented move for Frieze, which has to date focused solely on living artists. Set on Gloucester Green in a temporary structure designed by New York–based architect Annabelle Selldorf with transparent walls and silver birch trees, it's all about old meeting new.
—Christine Ajudua is Travel + Leisure's London correspondent.
Credit: Gaetano Gandolfi (Bologna 1734 -1802 Bologna); Venus ordering armour for Aeneas at Vulcan's forge
Just before she kicked off the Philip Treacy show wearing a hot pink burka, Lady Gaga turned to the models backstage and slyly asked, "Any tips?" And then out came the pop diva to sing the praises of this designer's unique vision as hyper-tall women in wearable art bounced through the Gothic hall at the Royal Courts of Justice in London during Fashion Week.
Just as most summer music festivals are winding down in the United States and abroad, the Stresa Festival at Lake Maggiore, set on the southern banks of the Italian Alps kicks into high gear. The festival runs a fortnight, August 24-September 8, and although this year marks its 51st season, the Settimane Musicali di Stresa may still be one of the best-kept secrets in the music world. But not for long.
Beginning December 4, 2012, over 200 of the Louvre’s works will be on display in the museum’s new satellite in Lens, a northern city in the Pas-de-Calais department, Picardie. The collection will remain in the museum, Galerie des Temps, for several years.
No, this isn’t part of a gypsy-laden renaissance fair. London’s The Tate Modern recently opened its doors to six psychics for the opening weekend of Undercurrent, a festival at the new The Tanks gallery running through August 27th. Images of crystal balls and large warts may fill your head, but according The Guardian, the trained fortunetellers' accessories and setting are much less theatrical; they sat in plain wooden booths inviting museum-goers to interact.
The art exhibit was part of Jon Fawcett’s EIR installation piece, which opened the 11-day-long show. Undercurrent’s remaining exhibits include Touch and Vision, which blasts museum-goers with music and records the effects, and Tweet Me Up!, a spontaneous photography collaboration via proverbial social media outlets. The combination of off-the-wall acts is something no one could foretell. Well, no one but the psychics that is.
Kelsi Maree Borland is an editorial intern at Travel + Leisure.