One hundred years ago on May 29, 1913, Stravinsky’s Rite of Spring exploded onto the European scene in a celebrated, riotous premiere at the Théâtre des Champs-Elysées in Paris. Ever since, dance companies have taken up the challenge to stage a work that captures the power and the sweep of Stravinsky’s revolutionary masterpiece.
On the day of the centennial anniversary, May 29, 2013, the Richmond Ballet, as part of the Virginia Arts Festival, presents the Rite, in Salvatore Aiello’s sensual staging. While in Paris, the Mariinsky Ballet returns to the scene of the crime, the Théâtre des Champs-Elysées, with a reconstruction of the imagined, original production, choreography and décor newly realized by Millicent Hodson and Kenneth Archer.
If you're in New York City this weekend, be sure to check out the Tribeca Film Festival, which runs through April 28th in various locations throughout Lower Manhattan. (The festival is sponsored by American Express, T+L's parent company.)
In the video above, T+L's Nilou Motamed talks about Tribeca, one of the city's most beloved neighborhoods.
On February 1, 1913 Grand Central’s stationmaster received the first set of keys to the Terminal. One-hundred years later, New York will celebrate the beloved landmark (and one of the world's most beautiful train stations) with a full day of activities including a rededication ceremony in the morning and the opening of “Grand by Design,” a multimedia exhibit of the terminal’s history by the New York Transit Museum that runs through March 15, 2013.
Lyndsey Matthews is an assistant digital editor at Travel + Leisure
Of the stately chateaux-hotel-restaurants in France—venerable provincial destinations where one gambols among historic gardens and tucks in for a serious dinner—Reims's Les Crayères is the platonic ideal.
The first chef to put the turn of the century house's restaurant on the map was Gerard Boyer, who was at the time of his retirement in 2003, among the longest-running holders of three Michelin stars in the country. His kitchen at Les Crayères trained such future heavyweights as L'Arpège's Alain Passard, Le Pré Catelan's Frédéric Anton and Tom Aikens. "Among the many things Boyer taught me," says Passard, himself the holder of three stars, "is that there should be art in every gesture."
To salute the chef emeritus, Les Crayères gathered Passard, Anton, their current chef, Meilleur Ouvrier de France Philippe Mille, and Boyer himself, to put together a combo-menu, called Transmission et Partage (Inheritance and Sharing), which is on offer at Les Crayères until December 23, after three months of planning.
At this month’s 2012 PhoCusWright Conference, the travel tech industry’s much-anticipated annual event, many in attendance agreed that the Travel Innovation Summit, held on Day One, was, always, a highlight. (Read our conference dispatches here and here.)
It comes as no surprise that some of the most exciting, buzz-worthy attendees and presenters were the wunderkinds behind travel start-ups and high-profile online products. At the conference, they breakfasted together behind closed doors, networked, and schmoozed investors. Travel + Leisure sat down with select Millennial entrepreneurs—or maybe a better moniker is disruptors?—shaping the next generation of Travel.
November 21 through 25, a.k.a. Thankgsiving Weekend 2012, is a good time to be in Latin America. It's warm, your weird aunt probably won't be there, and you don't have to eat bone-dry turkey leftovers for days. It is also when Festival 4+1 takes place.
One of the most highly anticipated events of the New York cultural season—The Tempest by British composer Thomas Adès—blows onto the stage of the Metropolitan Opera this week. The work, based on the Shakespeare play about betrayal, retribution, and the redeeming power of love, had its premiere in 2004 at London’s Royal Opera House and garnered for the 32-year-old Adès critical acclaim and popular success. Since then, the contemporary work has made a strong bid for a place in the operatic repertoire, and after productions in Germany and the American premiere by the Santa Fe Opera, The Tempest arrives in New York, in a staging by Robert Lepage.
Calling all (fashion-loving) cinaphiles: the most iconic outfits in film history are on display at The V&A’s autumn exhibition, “Hollywood Costume” (October 20, 2012 to January 27, 2013). Exploring the central role costume design plays in storytelling, the retrospective brings together clothes worn by unforgettable characters, from Indiana Jones and Jack Sparrow to Scarlett O’Hara and Holly Golightly.
Photo by 20th Century Fox / Paramount / The Kobal Collection
When American Ballet Theatre revives this week at New York City Center its production of Rodeo, it celebrates the 70th anniversary of a milestone: the first truly American ballet, with an evocative score by Aaron Copland, painterly sets by Oliver Smith, and the groundbreaking choreography of Agnes de Mille. De Mille’s dance combined classical ballet with Broadway and popular styles, including square dance, pantomime (cowboys ride imaginary horses and rope cattle), and an exuberant tap dance solo.
Tap dance in ballet? In this Western love story, where a cowgirl falls in love with a champion roper who dazzles with a tap tour de force—de Mille’s novel use of tap dance was and remains a showstopper. And in a lead up to the ABT’s performances of the landmark Rodeo, ABT dancers, including Craig Salstein, who performs the role of the champion roper, gave tap dance lessons to 100 New York City public school children at South Street Seaport.
In London this weekend? Don't miss the 10th annual Frieze Art Fair (Oct. 11 - 14), in Regent’s Park. With 170 participating contemporary art galleries from 34 countries (not to mention the splashy May launch of a sister fair in New York), this is its most international year yet. One major highlight: the inaugural Frieze Masters, a sort of fair-within-a-fair exhibiting works that date back to ancient times—an unprecedented move for Frieze, which has to date focused solely on living artists. Set on Gloucester Green in a temporary structure designed by New York–based architect Annabelle Selldorf with transparent walls and silver birch trees, it's all about old meeting new.
—Christine Ajudua is Travel + Leisure's London correspondent.
Credit: Gaetano Gandolfi (Bologna 1734 -1802 Bologna); Venus ordering armour for Aeneas at Vulcan's forge