When David Hallberg, principal dancer of American Ballet Theatre, joined the ballet company of Bolshoi Theater in Moscow about three years ago, it was big news on both sides of the Atlantic. During the Soviet era, there were several high-profile defections of dancers to the United States (Rudolf Nureyev, Mikhail Baryshnikov, among others), but Hallberg was the very first American to be invited by the celebrated Russian company, which has traditions going back to the 18th-century. Now, during the Bolshoi's appearances as part of the Lincoln Center Festival in New York City, David Hallberg talks with T+L about the work with the company and living in Moscow.
Q. What will you dance in New York?
A. Prince Siegfried in Swan Lake. One of the reasons I accepted the opportunity to join the company was to deepen my interpretation of the role and other classics. Also, I wanted the challenge of a style, distinct from my background and training in Phoenix, where I received my formation, then Paris, and later New York. I have a wonderful coach.
The annual Glimmerglass Festivalon Otsego Lake, near Cooperstown, New York, has long mounted a vibrant four-opera summer season. But under Francesca Zambello, now in her fourth year as general and artistic director, it has broadened its purview to become an essential cultural destination.
With an unintentional Radiohead reference for a name, and a rapidly expanding fan base that includes the prime minister of Ireland, The Gloaming is not your typical world music chart-topper.
In just the past three years, the five-man, Irish/American group (Dennis Cahill on guitar, Martin Hayes on the fiddle, Caoimhín Ó Raghallaigh on hardanger fiddle, Thomas “Doveman” Bartlett on piano, and Iarla Ó Lionaird providing vocals) has played to sold out crowds at international venues like Dublin’s National Concert Hall, won the approval of mainstream critics at The Irish Times and The New Yorker, and most recently, put out a debut album that simultaneously pays homage to Celtic melodies and innovates Irish folk music for the modern ear. Bag pipes and Riverdance, this is not.
In time for Independence Day, Boston's Museum of Fine Arts has opened an exhibition with a rare copy of England's Magna Carta, one of the building blocks for America's Constitution and other bills of rights.
If you haven’t made plans for the July 4 weekend and are interested in music, want a getaway to someplace with a rich history and culinary scene, the value (and bargain of the summer) is to be had in Quebec City at the Festival d’Eté de Québec (Summer Festival of Quebec), July 3-13.
Gimmicky packages and marketing campaigns are far too common in the travel business, which is why we love it when we hear about a hotel tie-in that is fresh, edgy, and captures the artistic spirit of a destination—for real.
The Hotel Palomar, in San Francisco’s Union Square neighborhood, is partnering with Inked Magazine Creative Director Todd Weinberger and Contributing Writer Jennifer Goldstein to create a tattoo getaway package. (This is not a misprint.)
If you can’t make it to Pamplona this year, consider a stateside alternative to the annual encierro.
Hampton, Virginia celebrates San Fermin with a Rolling of the Bulls. Participants race through the streets, chased by horn-wearing, baseball bat-wielding roller derby girls. Complete with Tomatina-inspired water balloon fight, the playful event takes place July 12 in downtown Hampton.
Like most neighborhood transformations-turned-gentrification, Wynwood’s started on the streets.
As the younger, trendier brother of Miami’s Design District, Wynwood has grown quick. When its largest gallery held its first show in 1999, the area was nothing more than a string of abandoned warehouses and auto shops. Though the current cultural core of the city is just ten minutes from South Beach, it’s only been a few years since many were too afraidto walk down its graffiti-ridden streets after dark.
Not anymore. In true hipster form, what was once terribly dangerous is now terribly cool. Also in true hipster form, it’s only really cool once a month. The Wynwood Art Walk, held the second Saturday of every month, transforms the usually scarce streets into the sort of place that gives Miami the cultural cred it so greatly deserves.
Canada-based Cirque du Soleil is setting up shop in the Riviera Maya, in a 600-seat, custom-built theater that takes cues from the Yucatan's lush jungle landscape. Grupo Vidanta, the developer behind Mexico's ultra-glam Grand Luxxe resorts, is creating the new venue, which will debut its inaugural showJOYÀ on November 8.