We live in a daredevil age of architecture. Out of the fog of dreams rise colossal structures that twist, outsize, and undulate to the extreme. Among these freewheeling feats stands the tilting high-rise hotel—and its crowning glory opens this fall.
The silvery spire of Hyatt Capital Gate(doubles from $650) slices the sky above Abu Dhabi’s sultry cityscape at a sharp 18 degree angle—four times greater than Pisa’s slouching bell tower. “There was an opportunity to do something very powerful,” says Chris Jones, principal architect with RMJM, "to create a new gateway to the city."
Many who love Provence are familiar with Chateau La Coste, which produces some of the region's best-known rosé. But what many do not know (yet) is that since the vineyard was taken over by an Irish businessman, in 2002, not only have the wines gone organic, the sprawling domain has become the most ambitious art and architecture complex in France—and perhaps in all of Europe. The idea: to bring together art, wine and architecture in a way that is organic and site-specific, yet defies easy definition. Too vast to be a sculpture garden and too diverse to be an art collection, this exceptional compilation opened without fanfare in June.
Shanghai: Renovated by French architecture firm Jouin Manku, complete with retro-futuristic curves, the seven-room Swatch Art Peace Hotel(pictured; 23 E. Nanjing Rd.; 86-21/2329-8500; doubles from $695) will open in October in a 1908 building on the Bund. The Swatch Group will display its latest watch models at on-site boutiques, while a six-month residency program will host artists to live, work, and exhibit on the premises.
Amsterdam: New this month, and a short stroll from the Rijksmuseum, the Conservatorium Hotel(27 Van Baerlestraat; 31-20/670-1811; doubles from $501) has 129 minimalist, light-filled guest rooms, designed by Milanese architect Piero Lissoni, in an 1897 Renaissance Revival building. Many suites are laid out as duplexes, and a vast lobby flanks the structure’s original skylit courtyard.
Imagine a time when air travel included white-gloved stewardesses (flight attendants, who?) serving caviar on board, giving bottles of champagne to fliers just for being nice, and gracing the cover of TIME.
In the modern world of exorbitant fees for checked bags and extra leg room, it’s nearly impossible to believe that a period like that ever existed, but ABC’s new show Pan Am—which debuts Sept. 25 at 10 p.m. and stars Christina Ricci—brings that 1960's Jet Age era of air travel to life. (Think of it as Mad Men, 30,000 feet in the air.)
Here, T+L gets on board with the show’s creator Jack Orman (of JAG and ER fame).
What's your favorite landmark? Tell us now in T+L's new Best New Landmarks Survey! Click here and vote on the skyscrapers, parks, museums, stadiums, and parks you love, then brag about the places you've visited—both new landmarks and classic sites. Plus, you can enter for a chance to win a $25,000 dream trip!
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When New York City Ballet’s ballet master in chief Peter Martins told his 14-year old daughter he was choreographing a new ballet with a scenario and orchestral score by Sir Paul McCartney, the teenager was adamant: “Daddy, Stella McCartney has to do the costumes.” Simultaneously, the fashion designer was making the same suggestion to her ex-Beatle dad, so both McCartneys will be making their dance theater debuts when Ocean’s Kingdom—a 50-minute-long, four-act work—receives its world premiere on September 22 at New York City Ballet (through Sept. 29).
From New York’s MoMA to the Musée d’Orsay in Paris, T+L picks the season’s best global art exhibits.
Paris: Woody Allen’s Midnight in Paris reignited interest in Gertrude Stein and her legendary Paris salon, and this fall visitors to the City of Light can get a taste of the real thing at the Galeries Nationales du Grand Palais(Oct. 5–Jan. 16, 2012). “Matisse, Cézanne, Picasso: The Stein Family,” an exhibition of some 250 paintings, drawings, and prints, comes from the collections of Gertrude, her siblings Leo and Michael, and Michael’s wife, Sarah.
Vienna: “Gustav Klimt, Josef Hoffmann: Pioneers of Modernism” at the Lower Belvedere(Oct. 25–Mar. 4) focuses on the intense collaboration of the painter and architect from their founding of the Vienna Secession in 1897 until Klimt’s death in 1918.
New York City: “De Kooning: A Retrospective,” at the Museum of Modern Art (MoMA)(Sept. 18–Jan. 9, 2012), is the first survey to consider the full scope of the career of this Rotterdam-born American Abstract Expressionist.
London: Fiona Shaw, the British stage and film actress (Petunia Dursley in the Harry Potter films), returns to the English National Opera to stage The Marriage of Figaro, Mozart’s classic bittersweet comedy (Oct. 5–Nov. 10).
Zurich: José Saramago’s novel Blindness was made into a film in 2008 starring Julianne Moore. Now German composer Anno Schreier, 32, has set it to music as Die Stadt der Blinden for the Zurich Opera(Nov. 12–Dec. 4).
San Francisco: Composer Christopher Theofanidis’s powerful work, Heart of a Soldier, commemorating the 10th anniversary of the World Trade Center attacks, is based on the life of Rick Rescorla, who helped guide thousands of people out of Tower 2 before it collapsed. Baritone Thomas Hampson plays Rescorla. (Sept. 10–30).
Minneapolis:The Minnesota Opera presents the world premiere of Silent Night, by the composer Kevin Puts, based on the film Joyeux Noël, about a Christmas Eve truce between soldiers in World War I (Nov. 12–20).
New York City: The multimedia project Portals features the violinist Tim Fain and video and choreography by Benjamin Millepied in Philip Glass’s seven-movement Partita for Solo Violin at Symphony Space(Sept. 24).
On September 26, the Metropolitan Opera opens its season with Donizetti’s rarely produced Anna Bolena, with soprano Anna Netrebko (pictured) as the ill-fated second wife of Henry VIII (through Oct. 28; also Feb. 1–4). Later, the company presents The Enchanted Island, a Baroque pastiche with music by Handel, Vivaldi, and Rameau and starring David Daniels and Joyce DiDonato (opens Dec. 31).
Photo by Brigitte Lacombe/Courtesy of the Metropolitan Opera
Long after the meal is eaten, the china remains. Dish: 813 Colorful, Wonderful Dinner Plates (Artisan Books; $35) by Shax Riegler, a former Travel + Leisure editor, is a revealing portfolio of porcelain spanning centuries and continents.
What happened when the quintessentially Parisian photographer Brassaï turned his lens on New York and New Orleans? Brassaï in America 1957 (Flammarion; $49.95), an album of 150 photos (some unpublished) that shows the beauty and eccentricities of these cities—and the spell they continue to cast.
The colorful, annotated paintings collected in Paula Scher MAPS (Princeton Architectural Press; $50) offer a world informed by the graphic designer’s poignant and incisive commentary.
With more than 3,000 paintings from the 13th to the 19th century, the Louvre’s collection of European art is unparalleled. Each and every work is reproduced in The Louvre: All the Paintings (Black Dog & Leventhal; $75).
Jean Govoni Salvadore, a former public relations executive with TWA and Italy’s Villa d’Este, has been something of a Zelig in postwar Europe. Her photo-illustrated memoir, My Dolce Vita (Glitterati Incorporated; $30), recounts six decades of shoulders rubbed during her travels around the globe.