Arts + Culture
The tall, dark, and handsome actor—who will always be Denny Duquette from Grey’s Anatomy to me—returns to the small screen in Starz’s latest original drama Magic City. Call it the Mad Men of Miami Beach. Set in 1958, the show (which has already been picked up for a second season) recreates a turbulent time, complete with mafia, CIA agents, and a flashy and ambitious hotelier named Ike Evans (played by Morgan). Here, the actor gives us a little history lesson, reveals why he thinks the show will be a success, and more.
Q: What made you want to get involved with the show?
A: First and foremost, as an actor, you want to go where the writing is. I read three or four episodes going into having lunch with Mitch Glazer, the writer and executive producer. Within 10 minutes of sitting down, I agreed to do it, and the rest, I hope, will be history.
Exclusive GloboMaestro Video: In a world of mass produced goods, Barbara Feinman's hats, handmade to order in her tiny shop in the heart of New York's East Village, are truly special. Made with limited editions fabrics and vintage details, Barbara and her small team of designers treat hat making like sculpture, using techniques that have barely changed since the 19th century.
Just a handful of these artisans are left in New York, and Barbara's hats are in high demand by New Yorkers in the know, including celebrities like Beyonce, Chloe Sevigny and Blake Lively.
In this new GloboMaestro video, a downtown insider from The Bowery Hotel explores this East Village storefront where one of fashion's niche arts is still thriving.
Video courtesy of GloboMaestro
This Dutch designer has become a cult favorite thanks to her brightly colored leather bags, wallets, and shoes. Here, the plugged-in local shares her top hometown picks.
Q: Favorite restaurant?
A: Proef (12 Gosschalklaan; 31-20/682-2656; dinner for two $120), a small, no-nonsense restaurant that’s organic and fresh, both in its menu and its urban-farmhouse-style décor. Try the beet ravioli. Book ahead.
Q: Must-visit jewelry store?
A: BLGK Goldsmiths (28 Hartenstraat; 31-20/624-8154) carries metal jewelry that honors the natural shape of gemstones; I’m inspired by the window display alone.
Q: Top cultural spot?
A: The Museum of Bags & Purses (573 Herengracht; 31-20/524-6452) has a collection of 4,000-plus pieces that offers a fascinating historical overview of my favorite accessory.
Q: Best mode of transportation?
A: My husband and I bike everywhere. I love the bicycles from Vanmoof; they’re lightweight and rust-resistant, and have a built-in lock. You can rent them at Cyclelution (258 Nieuwezijds Voorburgwal; 31-65/363-1973; $10 for two hours).
A Jamaica, Queens native, singer-songwriter Morley makes music that is global, to say the least. Her latest album, Undivided (due out today, April 3rd), was recorded hot off the heels of a year of travel and takes cues from the music of the Sahara and Morocco. Morley’s brand of internationally influenced pop has been pegged by some as the missing link between Sade and Joni Mitchell, touting love and tolerance to hip-hop beats and acoustic guitar. And well, we love it.
When the Palais de Tokyo reopens this month, three times bigger than before, the self-described “anti-museum par excellence” will be one of Europe’s largest contemporary art spaces. The inaugural Triennale exhibition (April 20–Aug. 26) features works by a global range of talents, including Ghanaian sculptor El Anatsui and New York–based Rirkrit Tiravanija.
Roar, K, a papier-mâché mask by South Korean artist Seulgi Lee, on view at the Palais de Tokyo.
Mask by Seulgi Lee, Photo by Aurèlien Mole / Courtesy of Palais de Tokyo
David Einsiedler, shop owner, and his dog Laban
“I own a vintage furniture store called Ply, so I’m a bit design-obsessed. Tide is a small, beautiful café lined with driftwood from the North Sea; I also go to the modern Klippkroog for regional food like Rollbraten (rolled roast).”
Nadira Nasser, costume designer
“Speicherstadt, the old warehouse district, is filled with museums now. At Miniatur Wunderland, the ‘chocolate factory’ exhibit actually produces a tiny piece of Swiss chocolate for you while you wait.”
Andrea Schneider (pictured), book cover designer
“HafenCity is the next great neighborhood, with many new buildings, including the concert hall Elbphilharmonie, scheduled to open in 2014. It’s right on the river Elbe; I like to watch the container ships coming in and out.”
Kevin Reschka, operations manager of an automotive company
“Sometimes after basketball we go to 3 Freunde for their inventive cocktails. My favorite is the Filmriss Deluxe, with vodka, vanilla liqueur, sparkling wine, passion fruit, and lime.”
Photo by Christian Kerber
French conductor Ludovic Morlot's appointment as music director of the Seattle Symphony is one of the most exciting in the world of classical music. The 38-year-old Morlot has ideas—lots of them—from expanding repertoire to building 21st audiences for live music. He talks with T+L in this, his first season in Seattle, which began in fall 2011 and included throwing out the first pitch at a Seattle Mariners baseball game. (For more on Seattle, see "Seattle State of Mind" by Gary Shteyngart in the March 2011 issue of Travel + Leisure).
With its annual film festival and steady influx of visiting talent, the Savannah College of Art and Design has helped turn the genteel port town into a creative magnet. The institution’s latest achievement: the cutting-edge $26 million addition to the SCAD Museum of Art (601 Turner Blvd.; 912/525-7191). The design of the gleaming steel-and-glass space—housed in a restored railway depot—was led by SCAD alumnus and dean Christian Sottile, and former Vogue editor-at-large (and university trustee) André Leon Talley lends his expertise, curating shows for his namesake gallery. Currently on view (through June 17) is "Life's Link," showcasing works by conceptual artist Fred Wilson.
Photo by Bran Rankin/Courtesy of SCAD. “Portrait of Lady Elizabeth Strickland” by Sir Peter Lely/Courtesy of SCAD Museum of Art Permanent Collection
The San Francisco Symphony, with Michael Tilson Thomas its music director, has been celebrating its centennial throughout the 2011-12 season in a special, generous, and, for music-lovers, innovative fashion: first, it invited six of the leading U.S. orchestras to perform before San Francisco audiences, and, now this week (March 27-30) in New York's Carnegie Hall, the SFS brings a festival entitled American Mavericks, which features the music of pioneers of the ever evolving American sound from the 20th and young 21st century: Charles Ives to Meredith Monk, Aaron Copland to Steve Reich, Aaron Copland to John Adams. Among four premieres is Mass Transmission by 35-year-old composer Mason Bates. T+L talks with Bates about the score, which features electronics, the sonic possibilities of which he has become expert, both as a composer and as DJ Masonic, his alter-ego. See the interview after the jump.
It’s an idyllic summer day along the Mediterranean Sea. You’ve nestled in your slice of earthly heaven, a small, sunny patch of sand, when a giant portrait of a cranky-looking grandma rises from the water and lurches toward you.
Is this a flash mob? An international episode of the U.S. hidden camera series: What Would You Do? What in the hell is going on?
It’s Spain’s Walking Gallery, where artists march around a city for several hours with their creations strapped to their bodies or hanging from handlebars.