It may be getting chilly in the Baltics, but Helsinki is heating up. Finland’s biggest city—perhaps best known for its colorful Marimekko prints and Modernist works by the late, great Alvar Aalto, not to mention its abundant saunas—has been named the 2012 World Design Capital.
No doubt Montenegro’s 28-year-old Miloš Karadaglić could get by on his dreamboat looks alone. They’re matched by a virtuoso guitar technique and deep musicality that make Miloš, as he’s known professionally, one of the most galvanizing classical instrumentalists to emerge in recent years. Born in Montenegro—“The most beautiful country in the world,” he says, with some justification—Miloš was eight when he picked up his father’s battered old guitar. By age 16, he was accomplished enough to win a scholarship to London’s Royal Academy of Music. Today, Miloš seems poised for a major international career. Deutsche Grammophon recently released his first recording, Mediterráneo; following club appearances at New York’s Living Room and at (Le) Poisson Rouge, and he made his Carnegie Hall debut this past weekend in the intimate Weill Recital Hall. Look for more dates in the future. We will be following this rising star.
Photo by Olaf Heine
Many who love Provence are familiar with Château La Coste, which produces some of the region’s best-known rosé. But what many do not know (yet) is that since the vineyard was taken over by an Irish businessman, in 2002, not only have the wines gone organic, the sprawling domain has become the most ambitious art and architecture complex in France—and perhaps in all of Europe.
The idea: to bring together art, wine and architecture in a way that is organic and site-specific, yet defies easy definition. Too vast to be a sculpture garden and too diverse to be an art collection, this exceptional compilation opened without fanfare in June.
After shunning the play for its portrayal of Austria's great support of the Third Reich during WWII, Salzburg is finally shelving its past. On October 23, the Salzburger Landestheater will debut The Sound of Music, the beloved Rodgers and Hammerstein Broadway musical-turned-blockbuster film, for the first time in the city's history. Dutch actress Wietske van Tongeren leads in the role of Maria while German music star Uwe Kröger woos as Captain von Trapp.
The grapes of Napa often grab the headlines coming out of California wine country but the discerning vino cognoscenti knows that the Golden State harbors some of the best wineries in the world along its central coast. In the thick of it is Paso Robles, a vast countryside of rolling vineyards where vintners sport rustic spurs on their cowboy boots and the pace of life is calm. The annual Harvest Wine Weekend kicks off today, Friday, and promises to be the most robust yet. Over 150 wineries will host grape stomps, tours, tastings, dinners, and pairings (wine and bacon anyone?). One oenophile who will be traipsing around Harvest is Paso Wine Man (above)—the unabashed, vivacious Paso wine country cheerleader whose verve for the region’s splendors knows no bounds.
T+L caught up with the wine man before the big weekend to uncover his wines of choice; find out what makes “Tuscany with cowboys” so special; and why Paso Robles's brand of reds can’t be made anywhere else.
Chicago: Charles James (1906–1978) was a true couturier, revered for his mastery of cut and structure. “Charles James: Genius Deconstructed,” an exhibition at the Chicago History Museum (Oct. 22–April 16, 2012), aims to broaden appreciation of the designer’s talents by showcasing his ball gowns and tailored dresses.
New York City: Milliner Stephen Jones plays curator with “Hats: An Anthology” at the Bard Graduate Center (pictured; Sept. 15–April 15, 2012). Jones has chosen more than 250 items, including a Balenciaga hat and creations by fellow London milliner Philip Treacy, whose witty fascinators made Will and Kate’s wedding such a head-turning event.
Photo by V&A Images
Earlier this month, dozens of museums, galleries and art spaces across Los Angeles hosted parties to commemorate the launch of Pacific Standard Time, a massive celebration of the L.A. art scene circa 1940 to 1980. While some of the larger institutions are tackling capital-I Issues—“Now Dig This! Art and Black Los Angeles” at UCLA’s Hammer Museum, for example—other spaces are approaching the topic more obliquely.
Royal/T Café is normally a Japanese-style exhibition space, retail store and “cosplay” maid café in Culver City. (That’s short for “costume play.”) Through January 2012, the 10,000-square-foot storefront has more in common with Greenwich Village than Ginza, thanks to “East Village West,” an examination of Los Angeles’ influence on New York City’s early punk scene. The show is co-curated by artists Ann Magnuson and Kenny Scharf.
Sub-continental style takes on a refreshing meaning with the launch of “Shop of Indian Origin” (SOIO) this month. Irked by stale representations of Indian design—think mango motifs and Taj Mahal prints—U.K.-based entrepreneur, Nisha John, created a much-needed web portal for artists and designers “linked to India by body, mind our soul.” The result is a delightfully whimsical collection (paintings, jewelry, clothing and home goods) of over 300 pieces that include rickshaw-patterned flip-flops, teak wood purses, and pillowcases splattered with images from vintage Bollywood films.
On November 5, all of Miami Beach becomes a stage when more than 150 cultural events take over the town, from dusk to dawn. There’ll be water ballet at the Raleigh hotel; street theater from Barcelona’s Sarruga troupe on Ocean Drive; plus museums open round-the-clock and breakfast on the beach from Whole Foods. The best part? It’s all free. sleeplessnight.org.
Photo courtesy of Sarruga
In theaters today, OKA! is an adaptation of the memoir of an ethnomusicologist from New Jersey, Louis Sarno, who moved to the remote forests of the Central African Republic to record the music of the Bayaka Pygmies over 20 years ago, fell in love and stayed.
Kris Marshall (Love Actually) gives a fine performance as the ethnomusicologist, but it’s the local Bayaka ensemble cast and the lush African rainforest that are worth your attention here. The plot is familiar—a capitalistic politician wants to destroy the Bayaka’s forest home to make way for a logging company’s expansion—but don’t be quick to dismiss this as another Fern Gully rip-off. The beauty of this film is in the moments that aren’t trying to move the plot along—children singing in perfect syncopated rhythm together, a group of women making music in a river using the water as their only instrument, and the documentary-worthy wildlife shots.
Lyndsey Matthews is an online editorial assistant at Travel + Leisure