It might come as a surprise to some that the first exhibition devoted to an appraisal of the career of Jean Paul Gaultier should take place in Dallas, but Dallas is a stylish town (the headquarters of Neiman Marcus) and one of only two U.S. venues for The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.
The show, which just opened at the Dallas Museum of Art (through February 12; dma.org), presents 35 years of chic from the enfant terrible of Paris couture in an innovative—sometimes startling—display that includes 30 mannequins with animated faces and voices, including Gaultier himself, provided by audio-visual projection. Fashion comes alive!
Anne Manson, widely admired as a conductor of operatic repertoire that ranges from the Baroque to Philip Glass, leads the cast and orchestra of the Juilliard School in New York in the American premiere of “Kommilitonen!” She speaks to T+L about the unusual work, commissioned jointly by the Royal Academy of Music in London and Julliard.
Q: Peter Maxwell Davies, 77-years-old and considered the dean of British composers (he also holds the royal appointment as Master of the Queen’s music), wrote the score and David Pountney provided the libretto and has staged the work in London and now in New York. What is the work about?
A: It is about students, facing crucial issues at turning points in history: the black student James Meredith who in 1962 fought racial prejudice to enroll in the segregated University of Mississippi; a brother and sister in Munich who joined the White Rose resistance movement in Nazi Germany; and two Chinese students, who swept up in the Cultural Revolution, are compelled to denounce their parents. “Kommilitonen” is German for “fellow students,” by the way.
Last June, American contemporary-classical composer Nico Muhly, who is barely 30, electrified London audiences with the world premiere of his genre-busting opera Two Boys. That work, a disturbing detective story set in a world of sinister Internet chat rooms, comes to the Metropolitan Opera in 2013. But New York City is getting a chance to sample Muhly’s iconoclastic gifts, with his equally unconventional second opera, Dark Sisters, which currently has its premiere production by the Gotham Chamber Opera (through November 19). Dark Sisters moves next summer to the Opera Company of Philadelphia (June 8-18).
The new piece, which has a libretto by playwright Stephen Karam, follows one woman’s desperate attempts to escape from a polygamist Mormon sect. Fifty Nine Productions, the lighting and projections team responsible for integrating dramatic moving images into the Two Boys staging, creates images that range from stark landscapes of the American southwest to the re-creation of a sensational television news show, studio and telecast feed, side-by-side.
Washington, D.C.: As part of a project that included a three-part HBO documentary and a book, photographer Timothy Greenfield-Sanders’s “Black List” portraits are now showing at the National Portrait Gallery(through April 22).
Bentonville, Arkansas: Until recently, the small town was best known as Walmart’s home base. But that’s all changing with the Moshe Safdie–designed Crystal Bridges Museum of American Art(479/418-5700). Walmart heiress Alice Walton donated much of the collection.
Recently, ukelele crossover star Jake Shimabukuro showed T+L around his hometown of Honolulu. Now, he lands on our turf to perform tracks from his latest album “Peace Love Ukelele” this Tuesday, November 15 at the Highline Ballroom in New York City. 212/414-5994. Don't miss his sweet rendition of Queen's "Bohemian Rhapsody."
Cousins of Afrobeat pioneer, Fela Kuti, The Lijadu Sisters have rhythm in their veins. Twins Taiwo and Kehinde emerged as the primary female voices of Nigeria in the ‘70s, writing and performing their own music and bringing women into the foreground of a largely male-dominated scene. Their 1976 LP Danger is being rereleased this week by Knitting Factory Records, the first of a four-album reissue that will unearth the out-of-print tracks and dust them off for a new generation of music lovers.
As the Dead Sea vies for a spot as one of the New7Wonders of Nature, the biggest archeological discovery it yielded has settled into a temporary new home. Dead Sea Scrolls: Life and Faith in Biblical Times premiered at New York’s Discovery Times Square on October 28—the same venue that has housed other historic exhibitions like Titanic and King Tut. It marks the most comprehensive collection of ancient artifacts from Israel ever organized in North America, including the oldest known copies of the Hebrew Bible and a scale recreation of part of the Western Wall. With a video feed broadcasting activity at Jerusalem’s iconic Temple Mount, it’s perhaps the closest experience to the religious pilgrimage as one can make without making the 5700+ mile journey.
At London’s Victoria & Albert Museum, “Postmodernism: Style and Subversion 1970–1990” is a romp through two decades of excess and provocation—and the final installment in a series of seminal blockbuster shows that have included Art Deco, surrealism, and Modernism. The exhibition, curated by Glen Adamson and Jane Pavitt, is the first to cover the postmodern period in depth, tracing the movement’s origins as an architectural style to its influence on pop culture in art, film, graphics, fashion, and music. Expect to see bold colors and patterns, with ample servings of parody and irony. Among the 250 objects on display are the drawings for Philip Johnson’s AT&T building (1984) in New York City; a re-creation of Jenny Holzer’s illuminated billboard Protect Me from What I Want (1983–85); and stage costumes for Annie Lennox, Devo, and David Byrne (his big suit from the 1984 documentary Stop Making Sense). Exhibition surprise: a video room playing New Order’s 1986 single “Bizarre Love Triangle,” the epitome of the aesthetic overload of the eighties—and postmodernism (through Jan. 15, 2012).
The opening of a 15-gallery suite that houses the peerless collection of Islamic art at New York’s Metropolitan Museum of Art(opens Nov. 1) could not come at a more appropriate geopolitical moment. Filled with 1,200 works of art, from Spain to India, the renovated galleries show the extraordinary diversity, sweep, and influence of 13 centuries of Islamic civilization. Don’t miss the Patti Cadby Birch Court, an interior patio based on a late-medieval Moroccan design meticulously created by craftsmen from Fez.