A cacti-filled garden in Morocco, lush country homes in England, a tropical oasis in Florida: the world is filled with countless public and private green spaces—and the new book The Gardener’s Garden brings together more than 250 of the world’s best.
Sting relived his past as a cruise ship entertainer with an intimate performance aboard Cunard’s Queen Mary 2 earlier this week. The show took place just two days after the Broadway debut of his first-ever musical, The Last Ship, now playing at the Neil Simon Theatre.
I still remember the thrill of walking into the old Max Fish when I first moved to New York in 2007. The Ludlow Street indie rock bar was one of the last remaining holdouts of a fabled era on the Lower East Side, one marked by edgy music venues, Velvet Underground burnouts, and downtown hipsters before hipster was a look sold in SoHo retail windows. Heaps of trash and roving dope dealers still gave the block an authenticity that was under siege from frat bros and cheesy lounges—hallmarks of the modern LES. Inside, Max Fish was far removed from its '90s heyday, but vestiges of its bohemian glory remained, like the legendary jukebox and graffitied bathrooms. It smelled of stale beer, cigarettes, and sweat. It was gritty. It was perfect.
As much as we love and respect Taylor Swift as an artist and human (so much heartbreak at such a young age, yet she perseveres), as New Yorkers we’re not entirely on board with the news that she’s been selected as NYC & Company’s new ambassador for tourism. It’s not that she’s not a great representative. She’s savvy, ambitious, and articulate—like all of us. It’s just that the song that she wrote for the campaign, “Welcome to New York,” is just so…well…bland. In NYC and Co’s new promo video she rightly describes the city as bold and bright and loud. Shouldn’t the song be the same?
So without being too presumptuous, we’d like to nominate a few alternative tracks for the official New York City theme song.
These days, it is not unusual for dance companies to perform on beautiful open-air stages, especially in the summer. Some venues are well-established: Jacob's Pillow in the Berkshires, the Saratoga Center for the Performing Arts in upstate New York, the Vail International Dance Festival in the spectacular setting of the Vail Valley, the Avignon Festival in Provence, but there is no spot quite like the seaside setting at Qualia, the luxury resort on the northern-most point of Hamilton Island, on the Great Barrier Reef, where the Australian Ballet performs on an specially constructed stage, with the particular blue-green waters of the Whitsunday Islands as background.
Following on the heels of the re-opening of the Peninsula Paris, which recently debuted in a grandly restored 19th century manse, the Musée Picasso Paris is (finally!) set to reopen in the 17th-century Hôtel Salé. With all the delays and debate surrounding the 43 million-euro renovation, we’re thrilled to get a first look at the sleek new space that marries the building’s historic character with a clean, streamlined interior.
This week, Eataly New York debuted a few new staples in their marketplace. This time, it’s not Italian fare, but Italian history. A collection of sculptures were carefully extracted from Milan’s most famous building, il Duomo di Milano, and transported to New York for display on the premises.
Artsy, the art collecting and education resource, travels to one of the world's most important art hubs for London’s Frieze Week. The team sets out for seven days of fairs, auctions, and exhibitions and shares their must sees of the week’s events.