Arts + Culture
Just as most summer music festivals are winding down in the United States and abroad, the Stresa Festival at Lake Maggiore, set on the southern banks of the Italian Alps kicks into high gear. The festival runs a fortnight, August 24-September 8, and although this year marks its 51st season, the Settimane Musicali di Stresa may still be one of the best-kept secrets in the music world. But not for long.
Beginning December 4, 2012, over 200 of the Louvre’s works will be on display in the museum’s new satellite in Lens, a northern city in the Pas-de-Calais department, Picardie. The collection will remain in the museum, Galerie des Temps, for several years.
No, this isn’t part of a gypsy-laden renaissance fair. London’s The Tate Modern recently opened its doors to six psychics for the opening weekend of Undercurrent, a festival at the new The Tanks gallery running through August 27th. Images of crystal balls and large warts may fill your head, but according The Guardian, the trained fortunetellers' accessories and setting are much less theatrical; they sat in plain wooden booths inviting museum-goers to interact.
The art exhibit was part of Jon Fawcett’s EIR installation piece, which opened the 11-day-long show. Undercurrent’s remaining exhibits include Touch and Vision, which blasts museum-goers with music and records the effects, and Tweet Me Up!, a spontaneous photography collaboration via proverbial social media outlets. The combination of off-the-wall acts is something no one could foretell. Well, no one but the psychics that is.
Kelsi Maree Borland is an editorial intern at Travel + Leisure.
Photo by iStockphoto
With a spritely klatch of scantily-clad models flying around a pop-up pool party, slapping around beach balls and cavorting to a live deejay's techno music, Florida’s most hyperactive playground kicked off a fitting new tourism campaign, “It’s So Miami,” on a recent balmy afternoon in New York City’s Union Square. The slogan is clearly more about reinforcing the Latin-infused city’s authority as America’s preeminent destination for escapism than proffering anything newfangled or undiscovered. But the irony of Miami’s decision to double down on its hedonistic caricature is that the city truly is emerging as a genuine cultural hub with gravitas and depth.
Shanghai urban planners rival their New York real estate agents in their imaginative renaming of neighborhoods. Some have been flops: Sinan Mansions and the South Bund are still largely deserted, the latter despite the industrial-chic Waterhouse and a solid restaurant by Jason Atherton. I’m now hearing that the area around the Rockbund Art Museumis shaping up to be an emerging ‘hood. (It’s called, rather unimaginatively, Rock Bund.)
Mostly Mozart, the 46-year-old summer festival at New York City’s Lincoln Center for the Performing Arts, is in full swing and more vibrant than ever. Significantly, this year’s edition marks the tenth anniversary season of French conductor Louis Langrée as music director who, along with Jane Moss, artistic director, has been responsible for revitalizing Mostly Mozart, in particular, its heartbeat, the festival orchestra. He's credited with raising its playing standards and adding inventive programming that features soloists, both established and debut artists, period instrument bands, and contemporary music ensembles.
Year to year, the mix may include dance, sound installations, film, video. This year, Mostly Mozart takes up the theme of birds, “the originators of song and an inspiration for countless composers,” according to Moss, as a point of departure for a range of programming. Indeed, in the age of twitter, birdsong may never sound as pure. T+L spoke with Louis Langrée earlier in the season during a stopover in New York en route to Paris about Mostly Mozart, a conductor’s role, American audiences, and why the festival remains popular with travelers and New Yorkers alike.
Q: What are your thoughts on your 10th anniversary?
The Travel + Leisure Global Bazaar is still weeks away—so there’s plenty of time to buy those tickets! But for those who just can’t wait to get a taste of the world, you’re in luck. We just opened the online T+L Global Bazaar Store, powered by L-atitude. Stocked with tons of accessories from around the world, it’s a dreamy shopping experience for any seasoned traveler.
What can you expect to find in the store? Items similar to those that you’ll find at the actually event next month—from one-of-a-kind woven pillows to Turkish and Indian jewelry to Mexican beach bags. So pop on in, browse around, and bring a little piece of the world into your home. Happy shopping!
The Travel + Leisure Global Bazaar takes place September 28–30, in NYC's Lexington Armory. Tickets are available through Ticketmaster.
Joshua Pramis is the social media editor and resident tech aficionado at Travel + Leisure. Follow him on Twitter: @joshuapramis
Walking umbrella-free in the rain may be romantic when the temperature is warm and you’re not headed to a job interview or fancy restaurant. But how should you respond if you’re caught in a shower and want to stay as dry as possible? Common sense may tell you to run, but how can you be absolutely sure?
The BBC (bless them) dumbs down an article from the European Journal of Physics about whether or not to run in a downpour. The physicist who conducted a recent study, Dr. Franco Bocci, concludes that running as fast as you can is best in most situations.
However, it gets complicated if you want to be exacting, as physicists often do.
Actually—and without even mentioning the established international success of the Lee Ufans and Nam June Paiks of the world—it’s been a banner few weeks for art in South Korea: First this guy assembled a functional satellite, for the equivalent of $500, basically in his basement, and will be launching it into space in the name of Achieving One’s Artistic Dreams. Then underground hip-hop artist PSY released what is, seriously, the best summer video. Ever. Now, septuagenarian businessman-turned-amateur-photographer Ahae is doing his bit for the Land of the Morning Calm. Having previously soothed viewers in New York, London, and Prague, his one-man show, Through My Window, has alighted in a purpose-built pavilion in the Tuileries Gardens, adjacent to the Louvre—the first such structure ever allowed there—where it will be on view through August 26th.
Consider it Seattle's equivalent of the London Eye. Nearly three times shorter than the legendary 605-foot Seattle Space Needle, the city's newest landmark, the Seattle Great Wheel, delivers panoramic views of the Emerald City that will lift you—and your family—off your feet.
Located on Pier 57, its 42 climate-controlled gondolas offer a 15-20 minute spin on the waterfront. Each gondola rotates three times, and can accommodate up to six adults or eight children.
The $20 million attraction is the brainchild of Seattle entrepreneur Hal Griffith who, for more than 30 years, has envisioned a Seattle Ferris wheel. The attraction is also a part of the efforts to improve Seattle’s waterfront, which includes replacing the Alaskan Way Viaduct with an underground tunnel.