I love little towns with histories: quirky, literary, musical, genteel, revolutionary. Dockery Farms in Cleveland, Mississippi, is the plantation where Howlin’ Wolf, Charlie Patton, and all the blues guys worked. At night they’d play on the porch of a little juke joint. The music that came out of there is incredible. My dad was three when his family moved to Dyess, Arkansas, a colony created for poor families during the Depression. When I was 12, my dad took us for a visit. I couldn’t believe he’d grown up there. I’ve said no to almost all the Johnny Cash projects that have come across my plate, but when Arkansas State University bought the house and told me they wanted to restore it, I said, yeah, I’ll get involved.
If, like me, you’ve been rushing around before Sunday’s star-studded event to see this year’s batch of Academy Award-nominated films, then perhaps you’re craving a vacation. These five trips—all affordable and in the U.S.—are inspired by films nominated for Best Picture this year.
The T+L Trip: Suburban Massachusetts and Boston
The real life ABSCAM sting operation took place in New York and New Jersey, but much of David O. Russell’s crime drama was actually filmed in suburban Massachusetts. That dry cleaning branch? It’s Reliable Cleaners, between Natick and Framingham; Irving Rosenfeld’s modest house that he shares with wife Rosalyn is in tiny Medford. Boston’s Fairmont Copley Plaza makes a cameo (it’s where Irving and Lady Edith Greensly celebrate their newly launched London Associates partnership), and to mark the Academy Awards, the hotel is offering the Oscar Party Package. Rates from $759 include a stay in a one bedroom suite, popcorn snack, in-room champagne, and Red Carpet Bingo—or just pop into the hotel for a drink and a self-guided tour.
Director Ritesh Batra’s debut feature film, The Lunchbox, a charming epistolary romance set in Mumbai, is steeped in nostalgia. As it traces an unlikely relationship between a curmudgeonly widower, Saajan (Irrfan Khan) and a neglected housewife, Ila (Nimrat Kaur)—all triggered by a delivery mistake, courtesy of the city’s supposedly foolproof lunch couriers, or dabbawallahs—the film also showcases the many faces of Mumbai: a frenetic, resilient, and monsoon-pelted metropolis.
While The Lunchbox has already captured hearts outside its native India, thanks to a splashy international premiere at the 2013 Cannes Film Festival (it also screened at the Sundance Film Festival last month), it hits select theaters in New York and Los Angeles tomorrow (February 28th).
T+L caught up with Batra, who regularly shuttles between Mumbai and New York, to discuss his adventures in filmmaking.
Director Wes Anderson takes T+L on an exclusive behind-the-scenes tour of Grand Budapest Hotel, his latest film opening Mar. 7.
For his new release—which stars Bill Murray, Tilda Swinton, and Ralph Fiennes as a debonair hotel concierge—Wes Anderson traveled though Eastern Europe on a hunt for set locations and characters. “I like working abroad because the whole process is an adventure, and it’s the most fun way to learn about a place,” he said. One takeaway: “Prague has been all cleaned up, but Budapest still has a little bit of a time-warp feeling.” Known for creating meticulously crafted sets and fictional worlds, the filmmaker borrowed references from Ernst Lubitsch musicals, Jugendstil architecture, and Thomas Mann’s The Magic Mountain for his own version of a grand hotel in the fictional Republic of Zubrowka. Here, a view from the director’s chair.
A great film can transport the viewer to a different time and place. When it comes to travel, we all have that one movie scene that will forever invoke the desire to visit or revisit a destination (Audrey Hepburn in Roman Holiday, anyone?). To get ready for the 86th Academy Awards, we'll be discussing how movies can inspire travel with experts this Tuesday, February 25th from 2 p.m. to 3 p.m. EST. Join along in the chat!
Sarah Spagnolo, T+L Special Correspondent & New Media Editor, @SarahSpagnolo
We're looking for a few good travel companies that are changing the world.
Now in its tenth year, Travel + Leisure's Global Vision Awards recognize the standard-bearers for responsible travel—companies that are investing in the communities around them, protecting natural and manmade treasures, lightening their footprints, and inspiring others to follow their lead. From airlines to hotels, tour operators to cruise lines, the winners represent the travel industry’s best ideas for a better world. (You can find the 2013 Global Vision Awards here.)
Please drop a note to TLGlobalVision@timeinc.com if you know of a company or organization that should be among this year’s winners, or encourage them to submit an application, available here. The deadline is April 1, 2014.
The Museum of Fine Arts in Boston today is opening a new exhibition, “Boston Loves Impressionism,” showcasing 30 masterpieces carefully curated by…the public.
To choose the artworks for display, the MFA held an online contest that saw a staggering 41,497 votes cast over three weeks in January. And with one of the world’s largest Impressionist collections at their disposal, voters had quite the challenge. Who were the winners?
Among the top 30 scorers are perennial favorites by Cassatt, Cézanne, and Pisarro, with first-place going to Van Gogh’s Houses at Auvers. Water Lilies from Monet and Degas’s charming Little Fourteen-Year-Old Dancer—the only sculpture in the running—round out the top three.
Last week, T+L was in Santa Barbara for the 29th-annual Santa Barbara International Film Festival, an 11-day celebration with panel discussions, nearly 200 film screenings, and tribute events that honor Academy-Award frontrunners and mega-watt celebrities, including Cate Blanchett, Oprah Winfrey, Robert Redford, and Leonardo DiCaprio.
We hit the red carpet before the Virtuosos Awards, asking breakout stars for their bucket list travel picks. The answers? June Squibb (in Nebraska) plans for a Hawaii respite and a Japanese animation-inspired trip to Japan for Michael B. Jordan, star of Fruitvale Station. (Watch the video above for more.)
The exhibition, “The Armory Show at 100: Modern Art and Revolution,” at the New York Historical Society, is a don’t-miss, by any standard. The original show was organized in 1913 by the Association of American Painters and Sculptors and represented the first large-scale exhibition of modern art in the United States. So large scale, in fact, that the 1,300 paintings, works on paper, sculpture, and decorative arts had to be displayed in an unconventional space: New York City’s 69th Regiment Armory (located on Lexington Avenue, between 25th and 26th Streets). The exhibition introduced the American public to European modernity and a clutch of stylistic “-isms,” including Fauvism, Cubism, and Futurism. It shocked and provoked. It also marked a turning point in the country’s cultural life.