The Museum of Fine Arts in Boston today is opening a new exhibition, “Boston Loves Impressionism,” showcasing 30 masterpieces carefully curated by…the public.
To choose the artworks for display, the MFA held an online contest that saw a staggering 41,497 votes cast over three weeks in January. And with one of the world’s largest Impressionist collections at their disposal, voters had quite the challenge. Who were the winners?
Among the top 30 scorers are perennial favorites by Cassatt, Cézanne, and Pisarro, with first-place going to Van Gogh’s Houses at Auvers. Water Lilies from Monet and Degas’s charming Little Fourteen-Year-Old Dancer—the only sculpture in the running—round out the top three.
Last week, T+L was in Santa Barbara for the 29th-annual Santa Barbara International Film Festival, an 11-day celebration with panel discussions, nearly 200 film screenings, and tribute events that honor Academy-Award frontrunners and mega-watt celebrities, including Cate Blanchett, Oprah Winfrey, Robert Redford, and Leonardo DiCaprio.
We hit the red carpet before the Virtuosos Awards, asking breakout stars for their bucket list travel picks. The answers? June Squibb (in Nebraska) plans for a Hawaii respite and a Japanese animation-inspired trip to Japan for Michael B. Jordan, star of Fruitvale Station. (Watch the video above for more.)
The exhibition, “The Armory Show at 100: Modern Art and Revolution,” at the New York Historical Society, is a don’t-miss, by any standard. The original show was organized in 1913 by the Association of American Painters and Sculptors and represented the first large-scale exhibition of modern art in the United States. So large scale, in fact, that the 1,300 paintings, works on paper, sculpture, and decorative arts had to be displayed in an unconventional space: New York City’s 69th Regiment Armory (located on Lexington Avenue, between 25th and 26th Streets). The exhibition introduced the American public to European modernity and a clutch of stylistic “-isms,” including Fauvism, Cubism, and Futurism. It shocked and provoked. It also marked a turning point in the country’s cultural life.
Fifty years ago today one of the biggest pop acts in history touched down at John F. Kennedy Airport for the first time. They were whisked into a press conference at the Pan American Airlines International Arrivals building, as dubious journalists tried to figure out if these guys were for real, and 4,000 adoring fans waited outside, hoping to catch a glimpse of the new British band, The Beatles.
A masterpiece of 20th-century architecture just got a new neighbor. The stark concrete-and-travertine forms of Fort Worth’s 1972 Kimbell Art Museum—designed by Louis Kahn and famous for skylit vaults that diffuse the silvery Texas light—has been joined by a Renzo Piano annex. The addition, constructed of silky, pale concrete and whitewashed wood—and respectfully distanced from the original building by a grove of elms and red oaks—also uses sunlight to great effect, filtering it through a diaphanous glass roof shaded by computer-controlled louvers. “The light seems ethereal. You can almost feel it,” says Eric M. Lee, the museum’s director. The building will house temporary exhibitions as well as the Kimbell’s pre-Columbian, African, and Asian art, freeing up space in the main building for European painting and sculpture. And how does the Piano pavilion compare with its iconic predecessor? “It’s like looking at a Titian and a Rubens,” Lee says. “They come from the same tradition, though they each have their own definite style. You’d never mistake one for the other.”
Photo by Robert Polidori, courtesy of Kimbell Art Museum
Born in New York to Haitian parents, and now living in New Orleans, Leyla McCalla delivers an uncontrived blend of rhythm and folk on her debut album, Vari-Colored Songs: A Tribute to Langston Hughes, out this week. Behind each pluck of her cello and every soulfully sung lyric, there is cultural influence and unfiltered emotion. Whether singing in English or Creole, Leyla's intent is clear; she wants you to feel.
How do you become a travel writer? Taking it even further, how do you get started as a novelist? We asked two authors to sit down and have a coffee shop conversation over Twitter to find out. Join us tomorrow as T+L Features Director, Luke Barr (@lukebarr), and T+L contributing editor, Gary Shteyngart (@Shteyngart), discuss how to become a travel writer, memorable tales of dinners and travels past, and ultimately how Shteyngart the novelist also became Shteyngart, a T+L contributing editor.
There may be no greater reason for cultural travel now than the extraordinary new pavilion designed by Renzo Piano for the Kimbell Art Museum in Fort Worth, Texas. The building plays a compliment in design and spirit to architect Louis Kahn's celebrated original structure, a modernist masterpiece of travertine and concrete, renowned for its deployment of natural light. Yet, the Piano Pavilion is its own distinct achievement. It sits on the lawn across from the Kahn and, like it, follows a tripartite plan, distinguished by an arrangement of bleached Douglas fir beams, transparent end walls, and galleries with a roof of fritted glass through which light imparts a singular luminous quality to exhibition spaces. For the next several weeks, much of the Kimbell's permanent collection—a veritable treasury of masterworks—is showcased in the Piano building.
In February, the Norton Museum of Art in West Palm Beach, Florida, is honoring a hometown girl made good, Jane Holzer, who went to New York in the early 1960s and dazzled Andy Warhol, Diana Vreeland, and the known pop universe.
To Jane, Love Andy: Warhol’s First Superstar (February 2–May 25, 2014) includes the high-1960s outfits Holzer—then known as “Baby Jane Holzer”—modeled, as well as Vogue spreads shot by David Bailey and Irving Penn. It’s Warhol-palooza, starring films with Holzer (Screen Test: Jane Holzer, Kiss, etc.) and iconic Warhol pieces like Flowers, Round Jackie, and Heinz Tomato Ketchup Box. These days, Holzer is all grown up but still in love with art, fashion, and sweet home Palm Beach.
Q: When did you first meet Andy Warhol?
A:I was on the street one day, near Bloomingdales, with David Bailey; Andy was on the opposite street corner. After we were introduced, Andy took one look at me and immediately said `Want to be in the movies?’
St. Petersburg’s first Fabergé Museum, a must see, has opened at the Shuvalov Palace, 21 Fontanka Canal, close to the Imperial Anichkov Palace and a 10 minute walk from the Grand Hotel Europe. Access to the museum will be by appointment only this year and to the general public beginning January 2014. It houses the celebrated Fabergé collection of the Link of Times Foundation owned by Russian Entrepreneur Viktor Vekselberg, which, with its over 1500 choice pieces, now easily outranks the comparatively small collection of the Kremlin Armoury Museum. Mr. Vekselberg has assembled the most formidable collection in the world of works by this great Russian master craftsman, best known for his celebrated million dollar Imperial Easter Eggs.