New York City's Guggenheim Museum has raised the curtain on the future—and it's very big and very particular. Italian Futurism, 1909–1944: Reconstructing the Universe, organized by curator Vivien Greene, brings together more than 360 works of art, including documents and a wide range of objects, from around the world to reveal a largely unknown but dynamic and ambitious aesthetic movement of the first half of the 20th century.
There are many reasons to visit Savannah, Georgia: its historic architecture, delicious food, and hospitality. If you are a golfer, Hilton Head Island and its courses are only an hour away. But now, while an endless winter keeps its grip on the Northeast, there may be no better reason to visit the gracious city where spring is in full bloom, than the Savannah Music Festival.
Precariously situated on a rock outcropping some 2,600 feet above the Paro Valley, the Tiger’s Nest Monastery is built around a cave where the Indian Guru Rinpoche meditated in the 8th century. Guru Rinpoche is said to have arrived on the back of a flying tiger. Today visitors reach the monastery via a climb of several hours that is not for the acrophobic.
Multidiscipline whiz kid Pharrell Williams has added Curator to his impressive list of occupations. A 700-piece exhibit of artist-designed toys, This is Not a Toy, runs through May 19 at the Toronto Design Exchange. Williams guest-curated the show and many of the toys come from his personal collection.
Complaints and their potential to effect change for the better is at the heart of Power of Design 2014, an exhibition and series of talks and panel discussions hosted by the Wolfsonian-Florida International University last weekend in Miami Beach.
Some silly news from Machu Picchu—on the growing trend of foreign visitors stripping down for photo-ops—led us to more important news regarding the ancient Incan citadel: To combat overcrowding (of clothed and unclothed tourists) the Peruvian government has announced new regulations for the UNESCO World Heritage Site.
What's in store for travelers to the ancient citadel? According to a policy draft obtained by local newspaper Peruvian Times, here are some of the major changes:
• Everyone must visit the site with a guide • Guides must follow three official circuits through the ruins • Visitors can spend no more than three to five minutes at key points, including the temples of the Sun and Condor • (And, yes, nudity is still strictly prohibited)
The T+L Take? New regulations are certainly needed to cope with the ridiculous overcrowding—for the benefit of travelers and of the fragile site itself. It's hard to contemplate the sacredness of Machu Picchu when sharing the peak with 4,000 other tourists. That said, these and other recent regulations harm the visitor experience by all but eliminating the possibility for self-reflection. If seeing one of the New Wonders of the World is on your to-do list, by all means venture to Machu Picchu. If contemplating Incan ingenuity and the meaning of life is what you're after, opt for the less-visited but no-less inspiring sites Llactapata and Choquequirao.
Peter Schlesinger is a research assistant at Travel + Leisure and a member of the Trip Doctor news team.
Cincinnati is rightly admired for its rich cultural life—art museums, theaters, summer opera as well as the annual May Festival, devoted to choral music. It also has one of the country’s leading symphony orchestras and in one of the biggest gets in the classical music world appointed Louis Langrée as its new music director.
For the last few days, the public artist Stephen Powers has been leaving his mark on New York’s Strand bookstore—as he says, “sneaking around the aisles and painting little love letters to reading and writing.” It’s all to celebrate the launch of his book, A Love Letter to the City(Princeton Architectural Press; $24.95), a collection of essays, sketches, and vibrant photos of his works from Coney Island and his hometown of Philadelphia to Dublin, São Paolo, and Johannesburg.
The phenomenon of Japanese street style his inspired immeasurable fascination among academics, fashion enthusiasts, and travelers alike. For New York-based photographer and filmmaker Thomas C. Card—it was a calling.
Tokyo Adorned,Card’s new book, available starting this week, is the result of months of pre-production planning; weeks spent roaming the city’s streets scouting girls; and hours upon hours of studio time photographing each individual.
What began as a study of how subjects fit into Tokyo’s various “fashion tribes” soon developed into a broader examination of style.
As the synchronized jingle of a dozen anklets claimed center stage at the New Jersey Performing Arts Center last Saturday, I watched with giddy anticipation. There was something exhilarating about listening to the Bollywood tunes of my childhood—songs that often served as the overplayed soundtracks to family roadtrips and dinner parties—captivate an audience of nearly 2,300.
I was here to witness “Mystic India: The World Tour,” a series of high-octane dance performances that combined regional folk dancing, exuberant tributes to Hindu gods and lively renditions of Bollywood classics.