Since 1974, Creative Time has been bringing innovative art to the public from New York to Hanoi. This spring, chief curator Nato Thompson commissioned artist Kara E. Walker to create a monumental work appropriately titled A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant.
Tucked away, just off the beaten path in New York’s favorite hipster haven: Williamsburg Brooklyn, you’ll find a procession of fifteen 5-foot-tall molasses and resin boys carrying baskets and bananas towards Walker’s piéce de resistance—a 35.5 foot tall and 75.5 foot long sphinx made with 80 tons of sugar. A pungently sweet smell hangs throughout the space, and contributes to the arrestingly evocative work.
New York City's Guggenheim Museum has raised the curtain on the future—and it's very big and very particular. Italian Futurism, 1909–1944: Reconstructing the Universe, organized by curator Vivien Greene, brings together more than 360 works of art, including documents and a wide range of objects, from around the world to reveal a largely unknown but dynamic and ambitious aesthetic movement of the first half of the 20th century.
If you’re on the hunt for a thought-provoking dip into the Surreal, you can’t miss Magritte: The Mystery of the Ordinary exhibit at the MoMA (running through January 12, 2014). Curated by Anne Umland, the exhibit covers what the famed Belgian painter described as the most defining period of his career from 1926-1938.
The exhibit features many of his most acclaimed works including “Le Trahison Des Images” (pictured) wherein he notoriously paired his painting of a pipe with the beautifully scripted words “Ceci n’est pas une pipe” (“This is not a pipe”). After you absorb the whimsically provocative contradictions in his narrated paintings, check out “Les Amants” to peek at his popular portrait of two lovers kissing.