The latest must-see attraction in Paris floats like a cloud of glass above the treetops of the Bois de Boulogne. The Fondation Louis Vuitton, devoted to contemporary arts and culture from France and beyond and supported by the luxury fashion conglomerate LVMH, opens on October 27. The building, designed by Frank Gehry, has galleries for its art collection (Daniel Buren; Rineke Dijkstra; Ellsworth Kelly), spaces for site-specific works, and an auditorium for music and dance.
Gehry, who was inspired by the greenhouses and pavilions of the Haussmann era, created a dozen curved glass canopies, comprising 3,600 panes. “I imagined Albertine and Proust playing there,” Gehry says, a nod to the neighboring Jardin d’Acclimatation’s past as a 19th-century children’s park. It’s that exuberance that makes the foundation one of the architect’s most magnificent designs since the Guggenheim Museum Bilbao.
Photo courtesy of Todd Eberle for Fondation Louis Vuitton, 2014
"Cubism: The Leonard A. Lauder Collection," at the Metropolitan Museum of Art, celebrates the gift of an unparalleled collection of works by Picasso, Braque, Juan Gris, and Fernand Léger, each of whom propelled Modernism in unique artistic directions. Oct. 20–Feb. 16.
The Spanish master Francisco Goya’s aristocrats, children, witches, and madmen are the subject of a landmark exhibition at the Museum of Fine Arts, with more than 160 paintings, prints, and drawings. Oct. 12–Jan. 19.
Ziggy Stardust gets the art-historical treatment at the Museum of Contemporary Art Chicago in “David Bowie Is,” devoted to the glam rock icon and featuring costumes, stage sets, and video installations. Sept. 23–Jan. 4.
Japanese architect Shigeru Ban, winner of this year’s Pritzker Architecture Prize, imbued the new Aspen Art Museum with his trademark ingenuity, including a striking basket-weave wood façade and a rooftop sculpture garden.
The Inbursa Aquarium, in Mexico City, is Latin America’s largest, with four subterranean levels housing more than 5,000 species. The structure by Fernando Romero abuts the architect’s Museo Soumaya and David Chipperfield’s Museo Jumex. Plaza Carso.
Opera was invented in Florence, but only now does the city have a venue dedicated to the genre. The new marble-clad Opera di Firenze complex has a state-of-the-art theater and concert hall, close to the centro storico.
In Rio de Janeiro’s beachfront neighborhood Barra de Tijuca, Christian de Portzamparc’s sweeping Cidade das Artes brings together an art gallery, chamber-music hall, and 1,250-seat auditorium.
A masterpiece of 20th-century architecture just got a new neighbor. The stark concrete-and-travertine forms of Fort Worth’s 1972 Kimbell Art Museum—designed by Louis Kahn and famous for skylit vaults that diffuse the silvery Texas light—has been joined by a Renzo Piano annex. The addition, constructed of silky, pale concrete and whitewashed wood—and respectfully distanced from the original building by a grove of elms and red oaks—also uses sunlight to great effect, filtering it through a diaphanous glass roof shaded by computer-controlled louvers. “The light seems ethereal. You can almost feel it,” says Eric M. Lee, the museum’s director. The building will house temporary exhibitions as well as the Kimbell’s pre-Columbian, African, and Asian art, freeing up space in the main building for European painting and sculpture. And how does the Piano pavilion compare with its iconic predecessor? “It’s like looking at a Titian and a Rubens,” Lee says. “They come from the same tradition, though they each have their own definite style. You’d never mistake one for the other.”
Photo by Robert Polidori, courtesy of Kimbell Art Museum
Thanks to dramatic transformations, these five world-class museums are casting a whole new light on their collections.
Amsterdam: After a 10-year renovation, a grand atrium now greets visitors to the Rijksmuseum(pictured). More than 8,000 objects, including masterpieces by Rembrandt, Vermeer, and Hals, have been rearranged as a historical survey. —Raul Barreneche
Honolulu: The extraordinary story of how Pacific Islanders developed their diverse cultures is told—with canoes, costumes, musical instruments, and more—in the renovated Pacific Hall, debuting this month at the Bishop Museum. —Peter Webster
New York City: Housed in a pavilion built for the 1939 World’s Fair, the Queens Museum reopens in November at twice its original size. One of the first shows, “The People’s UN,” nods to the building’s former role as host to the General Assembly.—Peter Webster
Mexico City: The Museo Jumex, displaying artists both Mexican (Gabriel Orozco; Carlos Amorales) and global (Olafur Eliasson; Tacita Dean), expands into David Chipperfield’s sawtooth-roofed building in November. —Raul Barreneche
Cleveland: Come December, the Cleveland Museum of Artwill unveil the last of three wings by Rafael Viñoly, showing works that range from Chinese bronzes to Impressionist paintings. —Peter Webster
Spectacular art and design share the spotlight at these new additions to the culture map.
Philadelphia: Barnes Foundation With its stunning new campus downtown, the Barnes—known for shaking up the way art is understood with its provocative arrangements of Renoirs and Matisses next to metal hinges and hooks—is helping visitors see Philly’s impressive arts scene in a new light.
Amsterdam: Stedelijk Museum A thorough renovation and expansion shows off the Stedelijk’s singular modern and postwar art as well as its renowned design collection. A highlight: Gerrit Rietveld’s 1926 Harrenstein Bedroom, as perfectly balanced as a Mondrian painting.
No, a UFO hasn’t landed on Houston’s Rice University campus—it’s the latest Skyspace from artist James Turrell. Named the Suzanne Deal Booth Centennial Pavilion (for a Rice alumna and Turrell’s former assistant), the ethereal installation frames the sky through an aperture in a thin steel roof; at dawn and dusk, colored lights transform the structure, creating a mesmerizing effect. The space also hosts concerts—fitting, since the renowned Shepherd School of Music is next door.
The 68-acre MIA Park(Corniche; 974/4422-4444) adjoins the I. M. Pei–designed Museum of Islamic Art. Set on the city’s seaside promenade, the sculpture plaza will host film screenings and art workshops, but its true claim to fame? Richard Serra’s first Middle East commission—his tallest piece to date.
The Isabella Stewart Gardner Museum has just unveiled its Renzo Piano–designed, copper-clad wing, which includes a jewel-box music hall and galleries dedicated to works by artists in residence. A glass-enclosed walkway leads to the original building.
Photo by Nic Lehoux / Courtesy of Isabella Stewart Gardner Museum
Located in a picturesque village on the Côte d’Azur, the Musée Jean Cocteau(2 Quai Monléon; 33-4/89-81-52-50) is home to the world’s largest assemblage of artwork by the multifaceted avant-garde créateur. The surrealist structure’s jagged concrete piers crawl down from the roof like tentacles.
Photo by Olivier Amsellem/Courtesy of Agence Rudy Ricciotti