As part of its 75th anniversary season, Tanglewood, the summer home of the Boston Symphony Orchestra located in Western Massachusetts, is celebrating in grand and generous style by offering an extraordinary gift to listeners: the Tanglewood festival and the BSO is presenting 75 free digital streams of performances from a storied 75-year history and unique audio archive. One stream is offered each day of the season (through September 2) at Tanglewood.org. The daily gratis performance is available starting at 8 a.m. EST for 24 hours; after the stream has ended, listeners can purchase it as a download. What’s more, you can listen at a desktop computer, through a home music system, or mobile device—all you need is internet access.
The Aix-en-Provence Festival, which runs through the end of July, presents new opera productions of established repertoire, neglected works, and premieres—all within the span of a month.
There may be few places as exciting as London this summer. First, there is that small, international sports event known as the Olympics, starting in late July. Second, the London 2012 Festival, an olympiad of arts and culture of unprecedented scale—more than 25,000 artists from all 204 competing Olympic nations participating in 12,000 events and performances throughout the UK—spans the period June 21 to September 9 and involves the widest range of music, theater, dance, art, film, and then some.
And while the Queen's jubilee year hovers over all these proceedings like a benevolent as well as royal presence, perhaps the most spectacular show in town is at the Goldsmith's Hall, a magnificent, neoclassical palazzo, northeast of St. Paul's Cathedral, where "Gold: Power and Allure, 4,500 Years of Gold Treasures from Across Britain" (through July 28) offers visitors a dazzling opportunity to consider the beauty and this most fabled, precious metal.
David Lamb, the managing director of the World Gold Council, gives T+L an overview of the splendid display:
The new campus of the Barnes Foundation in Philadelphia represents, simply put, a game changer for what a museum can be, the experience of art, and role architecture plays in both. It is also a game changer for Philadelphia, at a moment of splendid cultural renaissance.
When it opens to the public on Saturday, May 19th, visitors will find the celebrated collection displayed in a series of galleries that preserve the scale, proportion, and configuration of the original institution in Lower Merion (located in suburban Philadelphia), but now placed in a larger setting that invites contemplation and offers many pleasures.
What do the Broadway musical, Leap of Faith, about a charlatan preacher; the NBC musical drama Smash, revolving around the intrigue and egos of the creative types working on a musical about Marilyn Monroe; and the Princess Grace Foundation have in common? The actor Leslie Odom, Jr. Odom, who has received praise and award nominations for his role as Isaiah, the antagonist to Raúl Esparaza’s con man-of-the-cloth in Leap of Faith, has a continuing role on Smash, and has won a Princess Grace Award for Acting.
T+L spoke with the multitalented actor about the stage, screens both big and small, and dancing his butt off in New York.
The dashing American baritone Nathan Gunn is currently starring in Billy Budd in the landmark production by John Dexter at the Metropolitan Opera in New York City. Benjamin Britten’s opera, based on the novella by Herman Melville, revolves around the clash of good and evil embodied in the young, charismatic sailor Billy Budd and the malevolent master-of-arms John Claggart. The Met’s staging of this gripping work of 20th-century music theater, with Britten’s evocative music, was last revived 15 years ago. Gunn talks to T+L about the role, his life as a singer, and the essential part travel plays in it.
This week and through May 12, six North American orchestras arrive in New York to participate in Spring for Music at Carnegie Hall, a festival that celebrates the individuality of musical enterprise, from Alabama to Edmonton, Houston to Milwaukee, and inventiveness and adventurousness in programming. Audiences get the chance to hear these orchestras, some in Carnegie debuts, at which new music or music, familiar or rare, in new contexts is key. And the price of these musical adventures: $25 for all seats, regardless of the location in the hall—front row to top balcony. Carnegie’s celebrated acoustics ensure every ensemble will be heard at its best.
I spoke with Jacques Lacombe, music director of the New Jersey Symphony Orchestra(NJSO), one of the participants who is traveling the least but which brings one of the widest-ranging programs.
The British are Coming…and the Chinese, the French, the Russians, and the Brazilians…
The most important contemporary art fair in London is coming to New York this weekend, May 4-7. Frieze New York will be like no other. It takes place on Randall’s Island in the East River, housed in a specially commissioned tent designed by SO – Il, a Brooklyn-based architecture and design firm, on a site with spectacular postcard views of the Manhattan skyline.
Fall is generally considered the beginning of the cultural season, but in April and May there’s a special tingle in the air in New York City. It could be the warmer temperatures and sunnier, longer days. But for me, the creative energy emanates from new plays and musicals opening on Broadway—the actors, musicians, designers, directors, and producers involved with them—just in time to be considered for various theater honors that culminate with the Tony Awards in June.
Much of what visitors and New Yorkers experience today in the theaters and streets around Times Square is owing to the vision, passion, know-how, and work of Gerald Schoenfeld, the legendary chairman of the Shubert Organization for more than 35 years. His recently published memoir, Mr. Broadway: The Inside Story of the Shuberts, the Shows, and the Stars (Applause Books; $27.99), finished shortly before his death in 2008, is an absorbing page-turner. For those interested in Broadway history, it provides an insider’s view to the world of the fractious Shubert dynasty and the key role it played in theater in the 20th century in New York and beyond.
French conductor Ludovic Morlot's appointment as music director of the Seattle Symphony is one of the most exciting in the world of classical music. The 38-year-old Morlot has ideas—lots of them—from expanding repertoire to building 21st audiences for live music. He talks with T+L in this, his first season in Seattle, which began in fall 2011 and included throwing out the first pitch at a Seattle Mariners baseball game. (For more on Seattle, see "Seattle State of Mind" by Gary Shteyngart in the March 2011 issue of Travel + Leisure).