It might come as a surprise to some that the first exhibition devoted to an appraisal of the career of Jean Paul Gaultier should take place in Dallas, but Dallas is a stylish town (the headquarters of Neiman Marcus) and one of only two U.S. venues for The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.
The show, which just opened at the Dallas Museum of Art (through February 12; dma.org), presents 35 years of chic from the enfant terrible of Paris couture in an innovative—sometimes startling—display that includes 30 mannequins with animated faces and voices, including Gaultier himself, provided by audio-visual projection. Fashion comes alive!
Anne Manson, widely admired as a conductor of operatic repertoire that ranges from the Baroque to Philip Glass, leads the cast and orchestra of the Juilliard School in New York in the American premiere of “Kommilitonen!” She speaks to T+L about the unusual work, commissioned jointly by the Royal Academy of Music in London and Julliard.
Q: Peter Maxwell Davies, 77-years-old and considered the dean of British composers (he also holds the royal appointment as Master of the Queen’s music), wrote the score and David Pountney provided the libretto and has staged the work in London and now in New York. What is the work about?
A: It is about students, facing crucial issues at turning points in history: the black student James Meredith who in 1962 fought racial prejudice to enroll in the segregated University of Mississippi; a brother and sister in Munich who joined the White Rose resistance movement in Nazi Germany; and two Chinese students, who swept up in the Cultural Revolution, are compelled to denounce their parents. “Kommilitonen” is German for “fellow students,” by the way.
Late August has been eventful along the East Coast -- the rumbling of an earthquake, hurricane Irene and the aftermath -- yet beautiful weather has returned and with it come some last opportunities for summer culture. Top of the list: the Hudson Valley Shakespeare Festival that celebrates its 25th anniversary with a final performance of Hamlet and The Comedy of Errors this weekend. To this pairing, the company offers Around the World in 80 Days (Friday, Sept. 2), ingeniously staged by Christopher V. Edwards with five actors playing 39 roles! The global romp, witty and droll, brings the range of characters to England, India, China in varied modes of 19th-century transport: steamship, train, elephant.
During the 2010-11 season, cultural exchange between the United States and Cuba has demonstrated marked achievements. Last fall, musicians from Jazz at Lincoln Center and the dancers of American Ballet Theatre performed in front of packed Cuban audiences and offered master classes to gifted, young Cuban performers (the New York Philharmonic is planning a visit). On our shores, the electrifying musicians and dancers Los Muñequitos de Matanzas are winding up a month-long, 16-city American tour that began in Seattle in early April and concludes in New York City (May 5-7) and Purchase, New York (May 8).
Philadelphia, the City of Brotherly Love, has long shared a bond with the City of Light (statesmen, inventor, composer, and proud Philadelphian Benjamin Franklin served as ambassador to France). The period of especially fervent artistic creativity that characterized Paris between 1910 to 1920 is the inspiration for the Philadelphia International Festival of the Arts, taking place through this weekend, April 29-May 1, and which offers 30 commissioned, new works of music, drama, art, and flash mob dancing!
Beginning in 2007 with the Berlin in Lights festival, Carnegie Hall has featured the music and culture of global destinations through wide-ranging, multi-disciplinary programming in its three concerts halls and at institutions throughout New York City. But right now, perhaps no other festival may be as important as JapanNYC (March-April), which celebrates the diversity of Japanese culture in more than 40 performances and events and pays special tribute to Japan and its people in the aftermath of this month’s earthquake and tsunami.
When American Ballet Theatre’s new production of The Nutcracker premieres at the Brooklyn Academy of Music on December 22, audiences will encounter a vision of the holiday classic like no other. The staging—with choreography by Alexei Ratmansky, spectacular sets and costumes by Richard Hudson (well-known for The Lion King and his designs for opera and dance), and Jennifer Tipton’s evocative lighting—follows the ballet’s traditional outline, based on the story by E.T. A. Hoffmann, The Mouse King and the Nutcracker Prince. But it also bursts with fresh dramatic theatricality. Ratmansky creates ballets that are emotionally rich, kinetically responsive to music (and what music: a Tchaikovsky masterwork), full of wit and imagination.
John Singer Sargent may have been the most cosmopolitan American
artist of the nineteenth century (born in Florence, Italy, trained in France,
travels in North Africa, commissions in the United States). One of his most famous paintings, Madame X (1883-84), caused a scandal when first exhibited in Paris because of the
daring sensuality of his depiction of Amélie Gautreau. Today, the portrait hangs in the Metropolitan Museum of Art in New York. Half a block from the Met on a quiet Upper East Side street, the Adelson Galleries has organized the revelatory exhibition “Sargent and Impressionism,” on view until December 18.