2006 Arts Calendar
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2006 Arts Calendar

Robbie Jack The Mark Morris Dance Group. Robbie Jack
T+L's guide to the arts—A Rembrandt retrospective and the Whitney Biennial; eye-popping Spanish architecture and the complete Shakespeare; an operatic monster in Los Angeles and Imelda in Oz. plus: premieres in London and New Orleans, and more

ART

NEW YORK Whitney Biennial 2006: Day for Night Whitney Museum of American Art
(March 2–May 28). The famed survey of contemporary art goes global with works by more than 100 artists—from
both the usual art-world haunts and from newer centers as diverse as Sweden, Trinidad, and Hong Kong. The curators home in on
a zeitgeist of anxious foreboding and political subversion. But there's still fun to be had, including Francesco Vezzoli's
decadent, Hollywood-inspired trailer for an imaginary remake of Gore Vidal's Caligula. On-Site: New
Architecture in Spain
Museum of Modern Art (through May 1). The dramatic development of Spain as a hub for
architectural innovation is celebrated in this show, which features models and photographs of projects under construction or
recently completed, by home-grown talents (Rafael Moneo, Abalos & Herreros) and international stars (Toyo Ito, Jean
Nouvel). WASHINGTON D.C. The Renoir Returns: A Celebration of Masterworks at the
Phillips Collection
Phillips Collection. In the 1920's, art collector Duncan Phillips envisaged for his "American
Prado" an intimate domestic setting, where his Modernist treasures would shine with particular splendor. The nation's first
museum of modern art reopens on April 15, after a four-year renovation, with galleries for the display of postwar and
contemporary work, a new sculpture courtyard, a re-sited Rothko room, and the return of the museum's most beloved work,
Renoir's Boating Party. Cézanne in Provence National Gallery of Art (through May
7
). The centennial of Paul Cézanne's death is the occasion for this exhibition exploring the painter's intimate
relationship with the region of his birth. The nearly 120 works include early portraits of family members, paintings of
Provençal villages, a late series of bathers, and, presiding over all, the monumental profile of Montagne
Ste.-Victoire. BOSTON Living in Motion: Design and Architecture for Flexible
Dwelling
Institute of Contemporary Art (through May 7). From Afghani yurts to Noguchi lamps and German
wristphones, this wide-ranging show investigates the idea of mobility in traditional and contemporary design. HOUSTON Eva Hesse Drawings Menil Collection (through April 23). Hesse, one
of the most influential American sculptors of her generation, developed a signature style of postminimalist abstraction,
emphasizing process and organic form. This exhibition (which travels to New York's Drawing Center in May) focuses on her
works on paper. LOS ANGELES Lorna Simpson Museum of Contemporary Art, Los
Angeles (April 16–July 10). The first mid-career survey devoted to this groundbreaking contemporary artist, whose
photo-based works and film installations explore issues of race and gender. HONOLULU Life in the Pacific of the 1700's Honolulu Academy of Arts (through May 14). Priceless treasures
given by Pacific Islanders to the English captain James Cook during his three voyages are making a return journey from the
Georg-August University in Göttingen, Germany, for this exhibition, which reveals the art and industry of a world
untouched by the West. EUROPE AMSTERDAM Rembrandt, Quest of a
Genius
Rembrandt House (April 1–July 2); Rembrandt-Caravaggio Van Gogh Museum (through
June 18
). The 400th anniversary of Rembrandt van Rijn's birth is being observed with a spate of spectacular exhibitions,
including a major retrospective at the Rembrandt House and, at the Van Gogh Museum, a show pairing two Baroque geniuses famed
for psychological insight and metaphysical illumination.—Leslie Camhi

ARCHITECTURE

AUSTIN, TEXAS The Mari and James A. Michener Gallery at the Blanton Museum of
Art
(University of Texas at Austin; www.blantonmuseum.org) opens to the public April 30. Boston architects Kallmann McKinnell & Wood
designed the Neoclassical structure, which has limestone and granite walls capped by red Spanish-tile roofs. The new gallery
will allow the Blanton—which will ultimately be the largest university museum facility in the country—to showcase
more of its collection, with strong holdings of old-master paintings and art of the American West and Latin America. The five
inaugural exhibitions include "New Now Next: The Contemporary Blanton." OHIO Fans of hip
Japanese architects Kazuyo Sejima and Ryue Nishizawa of the firm SANAA will have to wait until June to see the innovative
Tokyo designers' first American project: the Glass Pavilion at the Toledo Museum of Art (800/644-6862;
toledomuseum.org
). On the museum's wooded campus, SANAA has
created a crystalline box with a steel roof that appears to float above the transparent, curving walls. What's inside?A
collection of glass objets that ranges from 13th-century Egyptian lamps and 17th-century Venetian vases to sculpture by Dale
Chihuly. EUROPE WOLFSBURG, GERMANY The latest feat of structural daring by
Zaha Hadid is the Phaeno Science Center (www.phaeno.de), a museum of exploration and science for both children and adults. The swelling
concrete piers and kinetic patterns of oblong windows animate the building, which rises above the Mitteland Canal, beside
the city's main rail station. (Berlin is an hour away by ICE train, Hanover 30 minutes.) Inside, a surreal landscape of
whitewashed concrete craters and cones creates a sculptural backdrop for 250 hands-on, kid-friendly interactive exhibits and
installations that illuminate natural and scientific phenomena.—Raul Barreneche


THEATER

NEW YORK Hedda Gabler Brooklyn Academy of Music (February
28–March 26; 718/ 636-4100; www.bam.org
). Academy Award–winning actress
Cate Blanchett makes her American stage debut in the title role of Ibsen's play featuring a ruthless protagonist, in a Sydney
Theatre Company production. The History Boys Broadhurst Theatre (opens April 23; 212/239-6200;
www.historyboysonbroadway.com
). First produced by the
National Theatre in London, the critically acclaimed play by Alan Bennett finally arrives for its U.S. premiere. Nicholas
Hytner directs the original cast in a funny and moving tale that illustrates the difference between education and learning in
the English school system. Three Days of Rain Bernard Jacobs Theatre (opens April 19;
212/239-6200; www.telecharge.com
). Julia Roberts makes her
Broadway debut in a revival of Richard Greenberg's searing drama of misunderstandings among a sister, brother, and longtime
family friend. Joe Mantello directs the three-person cast, which costars Bradley Cooper and Paul Rudd. The
Threepenny Opera
Studio 54 (opens April 20; 212/719-1300; www.roundabouttheatre.org). Scott Elliott stages the Roundabout Theatre production of the corrosive,
ever relevant Weill-Brecht satire in a new translation by Wallace Shawn, with Alan Cumming (Macheath), Jim Dale (Mr.
Peachum), Ana Gasteyer (Mrs. Peachum), and Cyndi Lauper (Jenny). EUROPE LONDON Royal Court Theatre (through March; 44-20/7565-5000; www.royalcourttheatre.com). The Royal Court is observing its
golden anniversary with the series 50 Readings, 50 Writers, 50 Years, over 50 nights. The play readings take
audiences through the past half-century of modern theater, with works by John Osborne, Harold Pinter, and Hanif Kureishi. One
major British playwright not represented is Tom Stoppard, whose new play, Rock N Roll, about the recent history of
the Czech Republic as told through the perspectives of a rock band and a Cambridge philosopher, debuts at the Royal Court on
June 3, with a run through July 15. Stratford-on-Avon The play is the thing and then some:
commencing April 23, the Royal Shakespeare Company launches The Complete Works Festival (44-1789/403-437; www.rsccompleteworks.co.uk), an
unprecedented, yearlong, multivenue celebration of all 37 plays, the sonnets, and several longer poems by the greatest writer
in the English language. Leading directors, actors, and companies from around the world are participating, including Trevor
Nunn, Yukio Ninagawa, Judi Dench, Ian McKellen, the Münchner Kammerspiele, and the Chicago Shakespeare
Theater.—Bill Rosenfield

MUSIC

NEW YORK Jordi Savall, the Spanish viola da gambist and
conductor, a living legend in early music, returns this month to New York. Savall will lead his Hespèrion XXI ensemble
and La Capella Reial de Catalunya in music of the Iberian Peninsula on March 4 at the Church of St. Paul the Apostle (www.millertheatre.com) and on March 16 at the Metropolitan
Museum of Art (www.metmuseum.org).
Mazeppa Metropolitan Opera (March 6–27; 212/362-6000; www.metopera.org). Tchaikovsky's opera, based on a poem by Pushkin about the 17th-century Ukrainian
Cossack hero, premiered in 1884 in Moscow; this will be its Met debut. A Creative Path: The Music of Dmitry
Shostakovich
Lincoln Center (March–May; 212/721-6500; www.lincolncenter.org). A two-pronged celebration for the centennial of the birth of the Russian
composer. Valery Gergiev leads performances of the first 9 of Shostakovich's 15 symphonies, conducting the Kirov Orchestra
March 12 and 13 and the Rotterdam Philharmonic April 9 and 10, all in Avery Fisher Hall. The symphonic cycle concludes next
fall. Meanwhile, the versatile and energetic Emerson String Quartet surveys all 15 quartets—which span the composer's
career—in a marathon series, on April 27 and 30 and May 4, 11, and 14. LOS ANGELES Grendel (May 27–June 17; 213/972-8001, www.laopera.com). At the
Dorothy Chandler Pavilion, the L.A. Opera launches the premiere of Elliot Goldenthal's musical adaptation of John Gardner's
witty, tragic novel about the monster whom Beowulf destroyed. The story gives Grendel's side of things. Julie Taymor, whose
theatrical imagination seems boundless, stages the opera, which bows later in the summer at the Lincoln Center Festival, in
New York.—Leighton Kerner



FESTIVAL

Famed for its innovative programming, the Adelaide Bank Festival of Arts
(March 3–19; www.adelaidefestival.com.au) in South Australia presents more than 130 performances of theater, music, and dance
from companies around the world. This year's highlights include Richard Jones's Glyndebourne Festival Opera production of
Jonathan Dove's Flight, a melodic fable about travelers grounded overnight at an airport, and a world premiere, Here Lies
Love,
a staged song cycle that spans the life of former Philippine first lady Imelda Marcos—including her New York
disco days. The piece features music and lyrics by David Byrne, with contributions by DJ Fatboy Slim, and will be performed
by a multinational cast.

DANCE

Choreographer Mark Morris (www.mmdg.org) contributes to dance on many levels. This
month, his company celebrates its 25th anniversary with 10 performances at the Brooklyn Academy of Music (March 6–25;
www.bam.org). For the occasion, Morris makes his conducting debut, leading a performance of his popular Gloria. As part of
the anniversary season, Morris is creating five new works—including a full-evening opera-ballet, King Arthur, set to a
score by English Baroque composer Henry Purcell—that will be showcased in the United Kingdom and the United
States.

JAZZ

Fiercely committed to bringing New Orleans back to life, Wynton Marsalis returns to his hometown for a week
of concerts with his Lincoln Center Jazz Orchestra (April 17–23; www.jalc.org). To celebrate the Crescent City's cultural
legacy, the group will perform some of the best New Orleans jazz; the premiere of Congo Square, a musical work by Marsalis
and percussionist Yacub Addy (named for the only place in the city where African Americans could congregate during the
slave era); and a newly discovered piece by legend Jelly Roll Morton.
—Valerie Gladstone



Art

Washington, D.C. Hokusai Arthur M. Sackler
Gallery (March 4–May 14).
This sublime Japanese master’s renditions of thunder
gods, waterfalls, and views of Mount Fuji are on display in an exhibition that includes an
unprecedented assembly of 41 rare Hokusai paintings from the adjacent Freer Gallery’s
collection, alongside the artist’s better-known books, scrolls, drawings, and prints.
Montreal Catherine the Great: Art for Empire—Masterpieces
from the State Hermitage Museum, Saint Petersburg
The Montreal Museum of Fine
Arts (through May 7)
. A show of paintings, sculpture, and decorative arts illuminating
the life and taste of the legendary ruler, who overthrew her husband in 1762 to become Empress
of All Russia, and whose relationships with leading European artists and intellectuals helped
usher her adopted homeland into the modern era.—Leslie Camhi

Architecture

Rome, Italy The new Museum of the Ara Pacis Augustae,
designed by Richard Meier, has sparked a controversy in the Eternal City. The first modernist
building to be erected in the historic center since Mussolini’s era, Meier’s crisp,
three-story glass-and-travertine structure shelters the Altar of Peace, a white marble artifact
with exquisite friezes, begun in 13 B.C. to commemorate Augustus Caesar’s military victories
in Spain and Gaul. The new building, which replaces an outdated fascist-modern structure designed
in 1938 under Mussolini’s direction, sits on the east bank of the Tiber, next to Augustus’s
Mausoleum on the Piazza Augusto Imperatore. Meier’s museum opens on April 21.—Raul
Barreneche

Music

New York Wall-to-Wall Stravinsky Symphony Space
(March 18; 212/864-5400; www.symphonyspace.com).
This daylong musical marathon, a tradition on the Upper West Side since 1978, focuses this
year (11 A.M. to 11 P.M.) on the great Igor’s music, from early dynamite to late 12-tone,
with lots in between. Dozens of singers, actors, dancers, and instrumentalists—many
well-known and many not yet—will be doing their stuff. And it’s free! The
World in Flower
(May 24–27; 212/875-5656; www.nyphil.org).
Conductor Lorin Maazel leads the New York Philharmonic in the premiere of the cantata by American
composer Peter Lieberson, featuring extraordinary mezzo-soprano Lorraine Hunt Lieberson (the
composer’s wife), baritone Gerald Finley, and the New York Choral Artists. The work
is the third in a series. Chicago Beginning on May 25, the Chicago
Symphony Orchestra
(312/294-3000; www.cso.org)
starts bidding a fond farewell to its music director, Daniel Barenboim, at the close of his
15-year tenure, with a wealth of old and new pieces from his repertoire. Highlights: May
25–27:
the world premiere of Pierre Boulez’s Notations 5 and 6,
and the third act of Richard Wagner’s Parsifal. May 30:
an all–Gustav Mahler program, with Thomas Quasthoff singing Kindertotenlieder,
followed by Symphony No. 5. June 9–10: Stravinsky’s
Rite of Spring, and a trio of ninth symphony pairings. June 15:
Elliott Carter’s Soundings and Mahler’s Ninth Symphony. June
16:
Boulez’s Notations and Anton Bruckner’s Ninth Symphony.
June 17: Beethoven’s Choral Fantasy and, of course,
Ninth Symphony. Across the U.S. In an unprecedented
collaboration between a corporate funder and nonprofit music organizations, orchestras in
all 50 states will perform a new work by American composer Joan Tower. Throughout 2006 and
2007, “Made in America”—a commission by 65 orchestras and
the Ford Motor Company Fund, and a collaboration with the American Symphony Orchestra League
and Meet the Composer— which Tower says was inspired by the patriotic anthem “America
the Beautiful,” will be performed in midsize and smaller cities. Audiences can hear
the work in Cambridge, Massachuetts, on April 2; Missoula, Montana, on May 6–7; Honolulu
on October 13–15; and Santa Barbara, California, on October 14–15. (For a complete
list of dates and cities, go to www.fordmadeinamerica.org.)
—Leighton Kerner

Opera

Houston Jean Cocteau’s one-act play, The Human Voice—a
telephone monologue in which a woman on the verge of a nervous breakdown tries to win back
her lover—has attracted such legendary performers as Anna Magnani, Ingrid Bergman, and
Simone Signoret. So when, in 1958, composer Francis Poulenc made it into an opera, Cocteau
wanted him to write it for soprano Maria Callas, the era’s supreme diva. But instead,
Poulenc gave the tour-de-force role to his favorite prima donna, Denise Duval, a mesmerizing
singer-actress who began her career at the Folies-Bergère. Now the Houston
Grand Opera
is following Poulenc’s example by casting Broadway star Audra McDonald
in a new production of the 45-minute work. The occasion marks the operatic debut of the four-time
Tony Award–winning soprano, who, although classically trained, has devoted herself to
musical theater. McDonald will also sing the world premiere of Send (who are you?I love
you)
, a short, one-woman piece about romance on the Internet, composed by Michael John
LaChiusa specifically as a comedic companion for The Human Voice. (March 4–26;
www.houstongrandopera.org;
713/228-6737)
.—Peter Webster

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