© Lawrence Perelman
Peter Webster
November 21, 2014

In December 2014 Gianandrea Noseda, music director of the Teatro Regio Torino in Turin, Italy, brings his opera company to four North American cities (New York, Toronto, Chicago, and Ann Arbor, Michigan) for concert performances of Rossini’s William Tell. The stirring opera is seldom performed because of the tremendously difficult tenor role, to be sung here by the young American John Osborn. The overture is famous, but Noseda predicts that audiences will be overwhelmed by the work’s transcendent final pages: “They are among the most beautiful music ever written.”

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