Madrid with Carolina Herrera
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Madrid with Carolina Herrera

Richard Phibbs Carolina Herrera in her favorite Hotel Ritz suite. Richard Phibbs
Fashion designer Carolina Herrera has come to know Madrid intimately—and now, one of her daughters even calls the city home. From tapas bars to outdoor cafes, clothing stores to museums, catch up with this stylish family.

It's high noon in Plaza Mayor, the vast square that embodies the pomp and circumstance of
17th-century Madrid the way the Palais Royal does ancien régime Paris. Bare of greenery,
paved with acres of stone, it is an architectural wonder, hemmed by austere, spire-topped
red buildings. Sightseers wander through the shadows of the arcades, poking into little shops
selling old coins and new berets. Along one side of the plaza, workers are unloading metal
bleachers from trucks, preparing for a performance by a local rock band; clusters of bright-orange
canvas umbrellas mark the location of cafés offering overpriced paella and racks of

The combination of tourist traps and second-rate food might put off some fastidious types
who prefer historic sites to be blemish-free, but the fashion designer Carolina Herrera revels
in the bustle of  Plaza Mayor. "If I were single, this is where I would live," Herrera
says, clapping her hands together—a gesture that's at once childlike and impassioned—as
she surveys the clamorous scene from the balcony of her daughter Carolina's apartment. It's
an admiration that seems to contradict the immaculate South American designer's popular image:
the blond beauty, recorded cool and expressionless in photographs by Andy Warhol and Robert
Mapplethorpe; the collections of classic soigné dresses that have been worn by everyone
from Jacqueline Kennedy Onassis to Renée Zellweger. "The buildings are beautiful, and
the vitality of the place is amazing," Herrera says, peering down into the plaza. "And there
is so much history, so much to see. You absolutely could not be bored here, ever."

Madrid has always been an integral element in the peripatetic life of Carolina Herrera. Part
of the allure is cultural: Herrera is a descendant of Spaniards who settled in Venezuela in
the 16th century, so the city acts as an ancestral touchstone. On her first visit to the Spanish
capital, as an infant, she was known as María Carolina Josefina Pacanins y Niño,
the daughter of Guillermo Pacanins, governor of Caracas. As a six-year-old, she toured the
Museo del Prado's galleries with her Hungarian governess and stayed up the street at the Hotel
Ritz, where she still resides when she comes to town—a month here, four days there—always
in the same suite. Madrid is the place she chose as the launching pad for CH Carolina Herrera,
which is both a lifestyle brand and an international chain of boutiques that markets el
mundo Herrera
from Bilbao to Coral Gables. And the Museo del Traje, the clothing museum
that opened in 2004 with displays emphasizing historical and modern Spanish fashion, recently
accepted one of Herrera's couture dresses into its permanent collection.

Later this month, Herrera will be returning to accept a Gold Medal for Merit in the Fine
Arts, which will be presented by the Spanish king and queen, Juan Carlos and Sofía;
previous recipients of the award include architect Santiago Calatrava and ballet mistress
Carmen Roche. But on this visit, she is simply spending a week in the company of her two youngest
daughters—there are four altogether. Her daughter Carolina ("We are all Carolinas,"
the mother says, explaining that more than a dozen close relatives confusingly bear the same
name), who has the angular, wide-eyed good looks of a Henry James heroine, is the face of
CH and has also taken part in the creation and marketing of Herrera fragrances. She divides
her time between Madrid and a ranch in Cáceres in western Spain, where her husband,
the famous former matador Miguel Báez Spinola, raises bulls, cows, and horses. They
met when she left New York for Madrid a few years ago to work with a friend on a documentary
film about bullfighters. Her sister Patricia Lansing, who resembles her mother as a young
woman, is a former fashion editor for Vanity Fair who is now a part of Carolina Herrera's
design team in New York.

"It's a lot of fun to work with them," Herrera says, quick to assert that enlightened nepotism
has its advantages. "They don't lie to me. They are not 'yes men.' " She pauses and
then bursts into a throaty laugh. "You know, sometimes I find them too honest, and I think,
Wait a minute, I'm your mother, you can't talk to me like that. But I always listen,
even if I don't always agree; they have good instincts." Her offspring's influence is palpable,
best evidenced in the youthful, sexier edge that now infuses the brand. At the two clean-lined,
wood-paneled CH stores on Calle de Serrano, Madrid's answer to Madison Avenue, the air is
fragrant with a heady mix of scented candles, and the products range from a deluxe logo-covered
baby carriage to flirty-chic ready-to-wear.

Curiously, seeing Madrid through the eyes of different generations doesn't fragment the place:
it actually brings it into sharper focus, drawing the disparate barrios of the city into one
tidy package of mingled experiences. Herrera's Madrid is suave and dependable, an old-fashioned,
slightly provincial capital where royalty matters, good manners are prized, men and women
are meticulously groomed, and the cuisine is gutsy and authentic. "I like to eat peasant food,"
Herrera says, clenching her fist in an emphatic gesture that's more Anna Magnani than diva
of design. For a woman known for her personal elegance (her slow, studied grace owes a bit
to a childhood spent transfixed by Hollywood film sirens), Herrera has surprisingly simple
tastes. She invariably eschews the establishments of celebrity chefs, preferring to patronize
a handful of dependable restaurants that are popular with old-guard Madrileños, where
down-home dishes are accompanied by tumblers of sturdy Rioja. One of Herrera's new favorites
is El Paraguas. Opened last year, the restaurant is owned by the hand­some young chef
Sandro Silva, who executes deftly updated takes on rib-sticking Asturian standards like roast
duck, artichokes in basil oil, and an array of apple-based desserts. Other times, Herrera
can be found lunching at La Trattoria Sant'Arcangelo, an Italian spot a couple of blocks from
the Prado, or Casa Lucio, a Castilian restaurant whose clientele, Herrera confides, ranges
from "the king and queen to the local hooker." Along with "tiny, tiny lamb chops the size
of a half-dollar," she explains, Lucio's specialty is huevos rotos, a dish of eggs
scrambled with fried potatoes. Her cook has never managed to re-create it, she says, despite
"using thousands of eggs." As for that uninspired paella in the Plaza Mayor, she lets me in
on a secret: "Go out of the plaza and down any side street and you'll find the best tapas
bars anywhere."

The designer's daughters have an appreciation for a more modern side of Madrid. When Hotel
Urban opened in 2004, for example, Carolina was in attendance, partly in her official capacity
as the face of CH in Europe, but also out of sheer curiosity. "Everyone in Madrid was there
that night," she says one afternoon as she, her mother, her sister, and a dozen or more guests
gather around a dining table in the hip hotel's restaurant, where totems from Papua New Guinea
are set on plinths in front of walls covered in glittering gold-glass mosaics. Boutique hotels,
however, are not to her mother's liking: "I don't understand modern hotels. I can't get the
lights to work."

Patricia, who visits Madrid several times a year, and her sister Carolina are also admirers
of La Broche, run by chef Sergi Arola. A disciple of food god Ferran Adrià, he has
caught Spain's attention with controversial innovations such as a degustation menu conceived
as a color-coded progression from dark meats to pale fish. "At first you think it's pretentious,"
Carolina says, but eventually, Arola's creations make you rethink the way you approach food.
Her mother shakes her head in disbelief. "Food that is too complicated or too challenging
doesn't interest me," she says. "I don't want to eat chicken that tastes like fish or fish
that tastes like beef."

Herrera's daughters are taken with Madrid's quality of life. "When I moved here a few years
ago, it reminded me of South America," says Carolina, explaining what attracted her to the
city. "It's calm, everybody takes their afternoon naps seriously, and family is very important."
Pointing out that Madrid has something that you don't find in Caracas or New York (where
the designer has lived since 1980), Herrera adds: "The life here is so civilized. The lunches
are late and the dinners are even later, which allows you to do so many things during the
day. And have you noticed that nobody eats or drinks while they are walking?In New York,
everybody eats in the street. But in Madrid, people go to a café and they sit down.
Even in Starbucks, you buy your coffee and sit and drink." In the fall and winter, she heads
out at night to go flamenco dancing or to attend a zarzuela, the comic light operas
that are particular to Spain and "so much fun to watch."

Besides her daughter Carolina, Herrera's other family members living here include her aunt
Eugenia Niño, a pioneering contemporary art dealer who runs Galería Sen, arguably
the cradle of contemporary Spanish art. "Eugenia was the first person to understand painters
like José Miguel Rodríguez, Luis Gordillo, and Isabel Villar," Herrera says
as she walks arm in arm through the gallery with her cousin, Álvaro de Suñer,
who runs the space with his mother. But the most prominent member of Herrera's family, as
far as the society columns and sports pages are concerned, is her son-in-law Báez Spinola,
who in his bullfighting days was known as El Litri (the Dandy), a name that seems tailor-made
for membership in this chic clan. The designer, her husband, Reinaldo (who is the special
projects editor of  Vanity Fair), and daughters Carolina and Patricia are all
members of the International Best-Dressed List's Hall of Fame.

"It is funny, no?" Herrera says of her son-in-law's nickname, in between making kitchy-koo
faces at Olimpia, the Báezes' seven-month-old baby daughter and her own seventh grandchild
(an eighth, Gerrit Livingston, was born to Patricia and son-in-law Gerrity Lansing this past
summer). Sitting in the shade of a tree at the Palacio Real and clad in her hallmark crisp
white cotton shirt and close-fitting skirt (of her own design), dazzling legs terminating
in sky-high lizard-skin Manolo Blahniks, Herrera is arguably the world's most glamorous grandmother,
a designation once claimed by her childhood idol, Marlene Dietrich. Small wonder that when
she and her daughters step outdoors, more than a few heads turn as they walk down the street.

Given las Herreras' prominence in the world of style, it's no surprise that shopping,
whether for fashion or flowers, is a bit of an obsession for the designer and her daughters.
Calzados Lobo, a store that has stood near Plaza Mayor for more than a century, is where the
Herrera women stock up on the traditional handmade espadrilles (they start at around $8 a
pair) that found favor with the Paris Opéra, which ordered dozens of Lobo shoes for
a production of Carmen. The shop is about half the size of a one-car garage; its open
shelves are crammed with boxes, and dozens of customers stand elbow-to-elbow clutching wait-your-turn
numbers. "When I was a child in Caracas, we wore espadrilles all the time," Patricia says.

Las Herreras concur on the wonders of Madrid's children's clothing shops. In fact,
it's a topic of conversation that crops up often in the family. "We make lots of babies,"
the designer says, explaining that one of her daughters seems to be pregnant every time there's
a group photo shoot. "Chez Pois is one of the best," declares Carolina. This pink-and-green-painted
boutique features clothes embroidered with non-cloying patterns of ladybugs and flowers. Patricia
chimes in to suggest Papo d'Anjo, just a few blocks away, where, in her opinion, the outfits
are a bit more graphically adventurous, using retro printed fabrics that recall the sort of
tablecloths used at a picnic on the Costa del Sol in the 1960's.

When Carolina wants cut flowers, a minimalist glass vase, or a woven basket for her apartment,
she heads to Casa Florida, an industrial space of glass and steel tucked behind a glowering
19th-century apartment-house façade. Today, she has brought her mother and sister by
for a visit. "It's fantastic, no?" Herrera says, stepping into the sunny, double-height space
and heading straight for a galvanized tin pail overflowing with lush green viburnum blossoms,
the kind of countrified flowers the designer prefers over hothouse varieties. Carolina is
also a fan of the Showroom, a design shop run by interior architect Isabel López-Quesada.
Here, chrome stools and linen-upholstered sofas cozy up to antique Queen Anne chairs and Chinese
lacquerwork. "Have you seen the market?" Carolina asks, referring to Mercado San Miguel, a
glass-and–cast iron pavilion next door to Plaza Mayor. Even if you don't need to pick up fresh
vegetables and fruits, she adds, it's worth a visit, just to take a look at the fanciful edifice,
designed in 1915. One thing the women don't agree on is El Rastro, a Sunday-morning ritual
for many Madrileños, thanks to the flea market's plethora of regional curiosities,
including curvaceous furniture in the Isabelino style (an Iberian variant of  Victorian)
and Spanish Art Deco pieces. Carolina makes periodic visits, but her sister and mother aren't
flea market types.

They all appreciate the beauty of Madrid, however. The strength of the city's considerable
charms is that they are "less obviously beautiful" than those of other European capitals,
Carolina says. Parts of the city were redesigned in the early 20th century, during the reign
of the Francophile king Alfonso XIII, resulting in grand avenues lined with eclectic Beaux-Arts–style
buildings so white and so exuberantly ornamented that some boulevards resemble allées
of snow-white wedding cakes. Flamboyant fountains fringed with greenery and topped with statues
punctuate the traffic circles, and in warmer months women of all ages cool off while waiting
for the next bus by snapping open delicate fans—some of them CH creations—and
fluttering them like modern majas. "Opening a fan is one of the most elegant gestures
in the world," Herrera says.

Madrid also possesses a majestic train station, Atocha, a red-brick, iron, and glass relic.
The structure was unharmed in the 2004 terrorist bombing that contributed to the downfall
of the government of Prime Minister José María Aznar. It rises above Plaza del
Emperador Carlos V, its heart a glass-topped indoor garden planted with towering palm trees.
Close by is the Parque del Buen Retiro and several renowned museums—the Prado, Museo
Thyssen-Bornemisza, and the Reina Sofía. Across town is the Palacio Real. "You must
go see the armor," Herrera says of the royal palace that anchors Campo del Moro, a Versailles-style
park. "You've never seen anything so beautifully made."

Herrera is also smitten with the scent of Madrid. "Cities have a certain smell," she asserts.
Seville, she declares, is redolent of carnations, while Jerez de la Frontera, in the heart
of sherry country, is perfumed with orange blossoms. Madrid's particular fragrance, however,
momentarily eludes her. After asking her daughters' opinion, the designer claps her hands
for attention. "Madrid," she says, "smells like honey and white locust trees in bloom."

MITCHELL OWENS is an editor at Traditional Home and writes for the New York


Casa de Madrid

A tiny bed-and-breakfast across from the Royal Opera House. DOUBLES FROM $310

2 CALLE ARRIETA; 34/91-559-5791

Hotel Ritz Madrid


5 PLAZA DE LA LEALTAD; 34/91-701-6767

Hotel Urban


34 CARRERA DE SAN JERÓNIMO; 34/91-787-7770


La Broche


29–31 CALLE DE MIGUEL ÁNGEL; 34/91-399-3437

Casa Lucio


35 CALLE CAVA BAJA; 34/91-365-3252

Chocolatería San Ginés

Churros and chocolate—who could want anything else?LUNCH FOR TWO $20

11 PASADIZO DE SAN GINÉS; 34/91-365-6546


An airy café for pastries and coffee. LUNCH FOR TWO $30

14 COSTANILLA DE SAN ANDRÉS; 34/91-364-5450

La Paninoteca d'É

Black walls and artful lighting provide a stylish setting for gourmet sandwiches. LUNCH FOR
TWO $37

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El Paraguas


16 CALLE JORGE JUAN; 34/91-431-5840

La Trattoria Sant'Arcangelo


15 CALLE MORETO; 34/91-369-1093


Calzados Lobo

30 CALLE TOLEDO; 34/91-366-4017

Casa Florida

41 CALLE CLAUDIO COELLO; 34/91-577-4445

CH Carolina Herrera

16 CALLE DE SERRANO; 34/91-781-4380

Chez Pois

113 CALLE CLAUDIO COELLO; 34/91-577-0848

El Rastro

The flea market is held on Sundays, from early morning into the afternoon.


Galería Sen

43 CALLE BARQUILLO; 34/91-319-1671

Papo d'Anjo

75 CALLE VELÁZQUEZ; 34/91-577-2060

The Showroom– Isabel López-Quesada



Antiques and modern furniture and accessories.

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Museo del Traje

2 AVDA. DE JUAN DE HERRERA 34/91-549-7150

Museo Nacional del Prado

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Museo Thyssen-Bornemisza

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Palacio Real

CALLE BAILÉN; 34/91-454-8800

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