Born Again in Salt Lake City
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Born Again in Salt Lake City

Roy Zipstein The Salt Lake City Public Library, designed by Moshe Safdie. Roy Zipstein
Chip Brown returns to Salt Lake City after a 30-year absence and finds a city where religion is still central but increasingly takes a backseat to great art and architecture, shopping, music, food—and, yes, drink

Thirty years ago, when I lived just outside Salt Lake, it seemed like a foreign city, not
part of America, certainly not part of the America convulsed by civil rights, Vietnam, and
environmentalism. Salt Lake was a white, sober, ?ag-waving backwater, not unfairly
known for byzantine liquor laws, an airport close to peerless ski slopes, and a G-rated culture
that reflected the in?uence of the Church of Jesus Christ of Latter-day Saints. Although
social trends that were secularizing the Mormon capital had been entrenched for nearly a century,
the theocracy that was established in the desert in 1847 still set the city's tone with the
ready sorting of residents into gentiles or Saints.

Given the pervasiveness of the Mormon Church, Salt Lake in the seventies felt closer in spirit
to Jerusalem than to Denver. In the same way New York made you think about money or Los Angeles
made you think about selling a script and landing a starlet, Salt Lake made you think about
faith. It was the realization of a dream wrested from the wilderness by phosphor-eyed prophets
who brought their beliefs and polygamous families across a continent on what would become
known as the Mormon Trail, one of the main thoroughfares of manifest destiny. So steeped was
Salt Lake in supernatural history, religious observance, and arcane doctrine that to me there
seemed something labyrinthine about its famously wide, teamster-friendly streets—streets
addressed so that you always knew how far you were from the temple at the heart of things.

I confess it was not the Book of Mormon but the gospel of Utah snow that first drew me to
the city. On a year off from college I got a job as a night watchman at one of the ski lodges
in Alta; I shared a house with three friends on the outskirts of Salt Lake, in what was then
the drowsy bedroom community of Sandy. Occasionally we ventured downtown to take in the sights
of ?Temple Square or see a show. Still, we never got to know Salt Lake. With its empty
lots, its freight yards, its mountain silhouettes, its paltry lights pressing indifferently
against the darkness of the Western night, it felt more like a depot than a city, a way station
where you might stop for a while en route to somewhere else.

I've always wanted to go back, to see what I missed in the snow blindness of youth, but also
because so much of the character of a place is a function of time and context. If our household
of secular skiers could never have envisioned that America 30 years later would be boiling
with debate about the role of religion in public life, then maybe Salt Lake 30 years ago was
never as "foreign" as outsiders like us were disposed to find it. Over and over during the
time I spent there not long ago, I found myself wondering whether America had become more
like Salt Lake or Salt Lake more like America. Or whether it was a bit of both. And it wasn't
just the old tension between sacred doctrine and secular authority, or the city's perennial
accent on the now widely fashionable idea of "family values." It was also new trends that
ran counter to Salt Lake's native fundamentalism, such as the surprising heterogeneity of
its populace, or the struggle of religious and civic leaders to revitalize the urban core
and to manage growth without sacrificing natural beauty. Add them all up and you could make
a case that this homegrown Zion, which for decades defined the outlandish fringe of American
life, was suddenly the quintessential American place.

Much of the pride and excitement about Salt Lake's prospects when I visited was the afterglow
lingering from the city's turn as the host of the Winter Olympics in 2002. Miles of interstate
highway had been rebuilt; a light-rail trolley now linked the suburbs to the city center.
People were talking about first-rate restaurants and clubs, and even a few nice places to
sleep.

On my first morning in the city, the air was crisp and clear, free from the smoggy inversions
that often plague Salt Lake in winter. Although a storm had buried downtown in six inches
of snow the week before, a few sunny days, dry desert air, and temperatures in the high forties
had wicked the streets clean. You'd hardly know it was winter but for the snowbound mountains
looming east, west, and south. They looked like giant white wedding tents. Skiing, of course,
has traditionally been the only reason many people have the faintest idea what wintertime
Salt Lake looks like, and my first appointment that morning was with the man leading the campaign
to persuade people there is more to the city than an airport a hop and a skip from some of
the best snow in the world.

I headed across State Street and into the City & County Building, a 19th-century Romanesque
brownstone with magnificent archways, turrets, gargoyles, and statues, and a cupola crowned
by an effigy of the goddess Columbia. It had nearly been torn down in the sixties but was
saved, and in the eighties it became the first building in the country to be retrofitted with
base isolators to prevent it from being damaged by earthquakes.

On the second floor is the office of Ross C. "Rocky" Anderson, a liberal Democrat who was
elected mayor of Salt Lake in November 1999. The mayor, a handsome man with neatly cut gray
hair and clear blue eyes, was raised Mormon but no longer practices, a status commonly referred
to as Jack Mormon. Before he went to law school in Washington, D.C., he worked as a bartender
in a famous dive called the Twilight Lounge. One of his first official acts was to sign a
nondiscrimination ordinance mainly for the benefit of gay and lesbian city employees. When
I asked him what the best example of the recent changes in Salt Lake was, he laughed. "My
election," he said. "Salt Lake is a far more progressive community now."


Anderson took office determined to revitalize the downtown, which had been losing population
to the surrounding county since the late sixties. (The number of people living in Salt Lake
County doubled from 1960 to 1990.) The city has finally stemmed the tide and people have been
moving back downtown, drawn by new developments and condo conversions of old loft warehouses.
It is now home to about 181,000 people, while the county has more than 850,000 and the extended
metro area—the 20-by-40-mile valley bounded by the Wasatch Mountains on the east and
the Oquirrh Mountains on the west—has some 1.8 million.

"There are now more people living in the central business district of Salt Lake than at any
time in the history of the city," Anderson said. He had successfully opposed what he called
a 1.2 million–square-foot "sprawl mall" planned for the airport area. He was working to extend
the light-rail system that opened in 1999, thus recouping some of the 154 miles of trolley
tracks that the city ripped out a century ago. In hopes of bringing some life and intimacy
into downtown streets configured by the Mormon pioneers not to enhance urban nightlife but
to enable wagon teams to make U-turns, he pushed for the creation of parking spaces and median
strips in the middle of a number of Salt Lake's streets. He put in bike racks and bike lanes.
He rolled back ordinances that outlawed street performers; he made it legal to sell art on
sidewalks. He relaxed regulations that hung heavy licensing fees on restaurants that wanted
to put tables and chairs outside.

The Mormon Church is a big part of the downtown revival. It plans to pump hundreds of millions
of dollars into reviving two antiquated malls, the ZCMI Center and the Crossroads Plaza. But
the Church also sued to block the city's decision to license an establishment near Church
property called the Dead Goat Saloon as a seminude dance club—part of the long-running
moral skirmishing that de?nes Salt Lake. The mayor welcomes the Church's role in the
city, Dead Goat Saloon notwithstanding. "I'm thrilled that there's an institution that wants
to pour a half-billion dollars in any area of downtown," he said.

A tireless Salt Lake champion, Anderson started a jazz festival. During the city's bid for
the Winter Olympics, he personally wrote some of the promotional copy touting the city's virtues.
"The stereotype that's been built up over the years is that the city is all white, all Mormon,
extremely conservative, and there's nothing to do here," he said. "Actually it's very much
the opposite. Nonwhites were thirteen percent of Salt Lake's population in the 1990 census.
Ten years later they were 39.4 percent. We have enormously rich arts and cultural offerings
as well as really great nightlife—clubs, music, restaurants. It's absolutely unique
that a city this size has a regular opera, a symphony, and a ballet. More people are settling
here because you have all the advantages of a city and you're less than forty-five minutes
from the greatest skiing in the world."

I wish he hadn't reminded me. One of the handicaps city promoters face is that Salt Lake
is always showing you reasons to get out of the city—positive ones, to be sure. Most
cities have a wild side, but most aren't literally wild. Round a corner in Salt Lake—say,
on one of those new pedestrian-friendly, median-parking streets like 300 South, which is filled
with antiques shops—and the mountains come billowing into view. Why visit the domed
state capitol building when City Creek Canyon is a few blocks away and will give you an overview
not just of the capitol but of the whole Wasatch Front and the ancient bed of Lake Bonneville,
with its now waterless beaches stepping up the flanks of the mountains?

At least the city makes it easy to get around. Inside the central business district the trolley
is free. I took it north a few stops toward Temple Square, then got out and headed west on
foot along 300 South, thinking inevitably about the last time I had walked this street, as
a kid on a long holiday from college. In retrospect that ski interlude seemed like the premise
of a sitcom: four iniquitously unmarried gentiles, sustained by spaghetti, gingersnaps, and
near beer, grapple with the social mores and cultural values of one of America's fastest growing
religions. Episode one: thanks to the subterfuge of the female leads who donned fake wedding
rings and gushed about how responsible their "husbands" were, we rented a suburban bungalow
with an asthmatic refrigerator and a sunset view. Our neighbors on Towncrest Drive seemed
a fairly incurious lot. Were they preoccupied by their heavy diet of scripture?Did the premium
on conformity bar fraternizing with infidels?Maybe they just didn't have much time for hedonistic
ski bums with fake wedding rings. We got to know only one young mother, who had fallen out
with the Church over a divorce or something. She was starved for company and invited us over
for Thanksgiving.

In some sense all geography is psychological, a matter of perceptions and presuppositions
as much as the intrinsic properties of a place. (When Colonel Patrick Edward Connor brought
federal troops into Salt Lake in 1862, he found what he described as "a community of traitors,
murderers, fanatics, and whores.") The city is still split along religious lines by what the
Salt Lake Tribune a few years ago termed the "unspoken divide." It is still a sparkling
clean place oriented around church and family. In the airport you see pods of rawboned Mormon
teenagers in dark suits with lapel nameplates, heading off on two-year missions to evangelize
about Joseph Smith and the Book of Mormon. After a snowfall in West Jordan, you're liable
to see kids being pulled around in sleds by their dogs. Harmons supermarket has special parking
for pregnant mothers.


But the families aren't all white. The city now has a booming Hispanic community and substantial
numbers of Tibetans, Bosnians, Croatians, and Somalians. It has become a major locale
for the resettlement of displaced people—most recently several hundred from Hurricane
Katrina. The liquor laws remain peculiar—receptions in the state capitol building are
dry—but the brown-bag and mini-bottle regulations of the seventies have been revised,
and now there are actually breweries in the state; the first opened in 1989. The Utah State
Wine Store on 300 East has more than 30,000 bottles and 3,000 brands, including a bunch of
first growth Bordeaux and grand cru Burgundies.

The new face of the city can be glimpsed in gay-pride parades. In articles about metrosexuals
in Salt Lake Magazine. In a raft of new museums, including the Utah Museum of Fine
Arts, the North American Museum of Ancient Life, and the Utah Museum of Art & History.
In the Clark Planetarium. In a new public library designed by Moshe Safdie, which might be
the country's most beautiful—a great crescent of light and glass with 500,000 books
and hanging sculptures and spectacular rooftop views.

Beyond dramatic and obvious developments, there were little things that looked different
or read differently to me because their contexts had been altered. For example, visitors used
to ?nd the Mormon-based proscriptions against tobacco an irritating example of killjoy
religiosity. Now antismoking ordinances have been adopted all over the country, even in anything-goes
Manhattan.

I stopped in at a place called Cup of Joe on the ground floor of the old Fire­stone Tire
& Rubber building, a two-story warehouse and service station that had been built in 1925
and was converted to commercial space and condominiums in 1998. The coffeehouse was founded
by a New York City actor who migrated to Salt Lake when downtown district lofts could be had
for a song. Farther west down Broadway is the old depot of the Denver & Rio Grande Railway,
which houses the Utah State Historical Society. A mile or so north along the tracks is the
old Union Pacific Depot, now a Virgin record store. In between is the Gateway, an elaborate
development of condominiums, restaurants, movie theaters, and shops strung along pedestrian
promenades and alleyways. Stock quotes rip by on the façade of a Morgan Stanley outpost.

It's possible the culture shock I was experiencing about Salt Lake began the moment I arrived
under a porte cochère at the Grand America Hotel and was ushered into the lobby by
a liveried eager-beaver doorman. "This is the right place," Brigham Young is said to have
declaimed on July 24, 1847, when he looked over the scrubby sage and grassland of the Salt
Lake Valley from a hilltop near the mouth of Emigration Canyon. God knows what he, his 27
wives, or his 57 children would have made of the Grand America had it been waiting for them.
Maybe they would have continued on to California, or maybe they would have stayed, thinking
they'd never find anything in Zion to match the hotel's marble portals and flower-scented
air, not to mention the prizewinning brunch at its Garden Café restaurant. The whole
party of Mormon pioneers—148 people with 72 wagons, 93 horses, 66 oxen, 52 mules, and
assorted cows, dogs, and chickens—could have easily fit in the main ballrooms without
disturbing the chandeliers.

The Grand America, which opened in March 2001, is probably the most spectacular, incongruous,
over-the-top addition to the city skyline since the erection of the Salt Lake Temple. It was
built by Earl Holding, who grew up in Salt Lake, and whose many interests include the Sinclair
Oil Corporation, the Sun Valley ski resort, and the Little America hotel chain. Its 775 rooms
and ballrooms and courtyards are spread across nearly all of a 10-acre city block formerly
occupied by pawnshops and warehouses. It's the kind of place where after you finish admiring
the giant vases of flowers in the lobby, and the English woolen carpets, and how carefully
the grain of the Carrara marble has been matched from panel to panel, the elevator whisks
you up to the 17th floor, where a plate of fruit that can actually be eaten is waiting in
your outsized room. And where after you have unpacked, and taken the hand of the Italian silk
comforter on the bed, and spent 10 minutes staring appreciatively at the perfectly mortised
baseboard in the bathroom, you find yourself wondering: What the hell is a place like this
doing here?The hotel is crème brûlée for people who grew up accustomed,
as one cook con?ded, to having green Jell-O for dessert. Small wonder locals wandering
in for the first time look as if they need to be retrofitted with base isolators.

One morning, downstairs, over breakfast in the self-conscious European ambience of the lobby
lounge, where later in the day guests will be positioning themselves on overstuffed chairs
to sip tea and nibble crustless watercress-and–bay shrimp sandwiches while a harpist plays,
a family of skiers was clomping around in ski boots, Gore-Tex jumpsuits, and Pat­agonia
hats. They were having a bite of banana bread and scones with their coffee before their short
trip to the mountains. Galumphing about the chambers of the Grand America in ski boots seemed
analogous to traversing the ridge to High Rustler at Alta in Manolo Blahniks. I was almost
sorry to see the pretension of the room undermined so thoroughly, though I don't think the
hotel was, given how few people were in residence that week—"a shoulder week," a concierge
told me apologetically. Although during the Olympics the hotel was booked solid with IOC delegation
members, NBC television crews, and sundry grandees, one wonders if the investment will ever
pay off in less feverish times. Like the city whose aspirations it symbolizes, the Grand America
seems to have been built on faith, the glorious quixotic faith of if-you-build-it-they-will-come—but
it's a long trip in a covered wagon from Patagonia outerwear to Yves Saint Laurent ball gowns.


That night around midnight I stepped onto the small balcony of my room. A chilly wind out
of the west brought the fresh scent of sage. I could hear the faint snort of tractor-trailer
traffic out on I-15 and the ineffably lonesome whistle of freight trains trundling through
the yards of the Union Pacific. The snowy peaks to the east and south were chalked with moonlight.
Red warning lights blinked on one of the tall downtown banks. The ghostly air that haunts
many Western cities at night is especially keen in Salt Lake. It's that sense that the wilderness
is waiting to come back—that the ground here has been settled only temporarily and the
common dream of the people and all their trivial commotion could be blown away at any moment,
that life is just a little short-lived pageant against the abiding silence of mountains and
sky. I shivered and hurried back inside.

Friday night some friends avid to ski flew into Salt Lake. Blaine came from Seattle, Tom
from New York, and Bill from Boston. We met at Metropolitan, the most award-draped of the
city's restaurants. When I first worked at Alta, washing dishes the summer before ski season,
lodges in Little Cottonwood Canyon did a big business serving dinner to people who didn't
think twice about driving up and down the winding canyon road for a decent meal. Salt Lake
City was not only 45 minutes from the best skiing in North America, it was 45 minutes from
a decent restaurant, too. But that canyon dinner trade was killed in the nineties by the upsurge
of first-rate restaurants in town. Metropolitan was opened in 1995 by Christophe Olson in
what at the time was a frowsy neighborhood of vagrants and drug dealers. Metropolitan has
been run for the last nine years by Olson's sister Karen, who gave up a clinical psychology
practice in southern California to manage the place.

We stepped through a curtain into a sophisticated atmosphere of pin spots and banquettes
set along the stark cement walls of a former automobile body shop. Our table was in the back
by a fireplace. The waitress bore a faint resemblance to Gwyneth Paltrow, which grew more
pronounced as a California Pinot took effect. Per state liquor regulations she wore a dog
tag around her neck, identifying her as number 88. Miss 88 started us off with an amuse-bouche,
a delicious yellowfin tuna tartare in a dainty brioche. "Feel free to use your ?ngers,
guys," she said, and then winked at Bill, which was about the point he began planning to move
to Salt Lake. "I'll be more geographically desirable," he said. "I think you might be more
geographically desirable if you promise to stay in Boston," Blaine said.

Everything about Metropolitan, from Bill's bootless fantasies to the entrées Miss
88 brought out, was a revelation. Roasted elk with rhubarb, toasted farro, and hazelnut;
wild king salmon with English peas and a carrot-ginger reduction; coffee-dusted pork tenderloin
with citrus-braised fennel and dried fig. It all raised the question: What the hell is a place
like this doing here?And never mind how our waitress happened to wash up among the Saints:
if she winked at Bill again, he was liable to order a cup of pork-dusted coffee.

Having been knocking around the city for several days, I realized I had only scratched the
surface, and I felt I ought to make the case to my out-of-town friends that their time would
be just as well spent exploring Salt Lake as it would be skiing. I had recommendations from
various informants, including Terry Tempest Williams, the Salt Lake writer and author of Refuge.
She had rhapsodized about the Gilgal Sculpture Garden, for example, which had been created
by an eccentric Mormon bishop behind the Wonder Bread factory on 400 South. Others were prepossessed
by the Avenues district, where the cozy blocks depart from Mormon orthodoxy, or by various
micro-neighborhoods: the Nines, at 900 East and 900 South, where there's an indie coffee shop,
a record store, a handful of boutiques, and a great lunch spot called Guru; the Fifteens,
at 1500 East and 1500 South, where you can find a fantastic bookstore (the King's English
Bookshop) and a trio of first-rate restaurants (the Paris, Mazza, and Fresco); Sugarhouse,
at 1100 East and 2100 South, a nexus of vintage-clothing stores, a yoga studio, pubs...

"This is a very difficult choice," Tom said. "On one hand we have vintage-clothing stores and a yoga studio, and on the other, we have the best skiing in North America."

Sobered up, we headed to Alta in the morning. We skied all day with my old friend Barbara
Dunlea, who has worked for the Alta Lodge for many years. Since I'd been away she'd married.
Her husband, John, a former ski patrolman, is a pilot for a rent-a-jet company. They're both
demonically fast skiers, of course, and they whisked all over the mountain. Lifts now connect
Alta with its neighbor Snowbird, and you can buy one pass for both areas—a phenomenally
vast landscape of bowls and chutes and sweeping groomed trails. But other than the new link,
Alta is a resort where the more things change elsewhere, the more they stay the same. No snowboards.
No frilly facilities. And no crowds. Just the best snow in the country. And it took us only
45 minutes to get back to the city.



WHERE TO STAY

Grand America Hotel

DOUBLES FROM $259

555 S. Main St.; 800/621-4505 or 801/258-6000; www.grandamerica.com

Hotel Monaco

An Art Deco–inspired hotel housed in a 1924 bank.

DOUBLES FROM $159

15 W. 200 South; 877/294-9710 or 801/595-0000; www.monaco-saltlakecity.com

WHERE TO EAT

Bambara

Good lunch spot in the Hotel Monaco that serves Cajun-influenced cuisine.

Lunch for two $28

201 S. Main st.; 801/363-5454

Fresco Italian Café

Northern Italian food in a romantic setting.

dinner for two $80

1513 S. 1500 East; 801/486-1300

Garden Café at the Grand America Hotel

runch for two $70

555 S. Main St.; 801/258-6708

Mazza

Authentic Middle Eastern cuisine.

inner for two $24

1515 S. 1500 East; 801/484-9259

Metropolitan

Dinner for two $100

173 W. Broadway; 801/364-3472

The Paris

Modern French fare in a bistro setting.

Dinner for two $70

1500 S. 1500 East; 801/486-5585

Park Café

Great breakfast place.

Breakfast for two $16

604 E. 1300 south; 801/487-1670

WHERE TO DRINK

Cup of Joe

A relaxed hangout for coffee.

353 W. 200 South; 801/363-8322

Red Door

One of Salt Lake's coolest bars, next to the Hotel Monaco.

57 W. 200 South; 801/363-6030

Squatter's Pub Brewery

Ten homemade brews and classic pub food.

Lunch for two $45

147 W. 300 South; 801/363-2739

WHERE TO SHOP

Anthony's Antiques

One of the better shops in an antiques district just east of downtown.

401 E. 200 South; 801/328-2231

King's English Bookshop

Good readings and recommendations; also check out its newsletter, The Inkslinger.

1511 S. 1500 East; 801/484-9100

Sam Weller's Books

A selection of new, used, and rare books, manned by a very helpful staff.

254 S. Main St.; 800/333-7249

Utah State Wine Store

255 S. 300 East; 801/533-6444

WHAT TO SEE

Clark Planetarium

Science exhibits and an IMAX theater.

110 S. 400 West; 801/456-7827; www.clarkplanetarium.org

The Gateway

Vast entertainment, dining, and shopping complex in a former railroad depot.

400 W. 100 South; 801/456-0000

Gilgal Sculpture Garden

Stone sculptures that are a celebration of the spirit by a devoted Mormon.

749 E. 500 South; 801/972-7800

North American Museum of Ancient Life

Dinosaurs and fossils come to life in innovative displays (many hands-on) and on screen
in a 3-D theater. Great for families.

2929 N. Thanksgiving Way, Lehi; 801/766-5000; www.thanksgivingpoint.com

Salt Lake City Public Library

Don't miss the rooftop garden with 360-degree views of the Salt Lake Valley.

210 E. 400 South; 801/524-8200; www.slcpl.lib.ut.us

Sundance Film Festival

Although based in Park City, the festival opens in Salt Lake, and screenings are held
downtown throughout. Next year's event runs January 19 through 29.

festival.sundance.org

Temple Square

No visit would be complete without taking in Salt Lake Temple, Brigham
Young's former residence, the Lion House, and the Mormon Tabernacle, all here. The choir performs
Sunday mornings for the public, and there are daily organ concerts (www.mormontabernaclechoir.org).

Utah Museum of Art & History

State archives and paintings from Utah artists.

125 S. Main St.; 801/355-5554 www.muahnet.org

Utah Museum of Fine Arts

Excellent permanent collection of art from around the world, plus traveling exhibitions.

410 Campus Center Dr.; 801/581-7332; www.umfa.utah.edu

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